We Don't Talk About Bruno (from Encanto) (arr. Matt Conaway): Marching Band Conductor Score & Parts

Propulsive and mischievous, with syncopated rhythms that keep everyone engaged and brief moments of vulnerability that make the arrangement feel honest. The orchestration crackles with color and forward momentum, never settling into predictable patterns.

Programs seeking contemporary repertoire that connects with students and audiences alike. Bands at the upper Grade 3 to Grade 4 level with solid section reading skills and the maturity to handle modern film music idioms.

• Lock the phrasing around the sung sections. The arrangement rides on rhythmic precision, so mark those cutoffs clearly and drill ensemble stops before full tempo runs.
• Balance the melodic line against the accompaniment layers. Too often the support textures overwhelm what the audience came to hear; push the lead voices forward in rehearsal.
• Commit to the attitude. This song thrives on playfulness and energy; tentative playing flattens the whole effect. Push your ensemble to embrace the character from the downbeat.

This works brilliantly as a standalone opener or closer for a concert focused on film and television music. Pair it with other contemporary arrangements to build a program that keeps your audience invested, or use it as a morale booster during spring concert season when energy tends to flag.

• Reading syncopated rhythms in mixed time contexts
• Balancing melody and accompaniment textures
• Executing ensemble cutoffs with precision
• Interpreting style and character in modern popular music