We Don't Talk About Bruno (from Encanto) (arr. Mark Brymer): SAB Choral Octavo

Playful mischief wrapped in Latin rhythmic swagger. The arrangement pulses with percussion colors and conversational vocal interplay, creating a sense of conspiracy and fun. It's the musical equivalent of singing with your friends behind the gym: infectious, a little irreverent, and impossible to resist.

Any choir seeking accessible three-part repertoire that connects with students. This works for middle and high school choirs, youth ensembles, and community groups who want contemporary material with genuine musical substance. If your singers have heard the film, their buy-in is automatic.

• Lock in the rhythmic precision early. The Latin percussion foundation lives in the vocal parts themselves, so consistent rhythmic attack across all three voices creates the groove. Mark out the subdivision in rehearsal before worrying about dynamics.
• Lean into the character and storytelling. This song thrives on energy and personality; encourage your singers to commit to the sassy, conspiratorial tone. The arrangement supports this through phrasing and accent placement.
• Balance the homophonic and independent sections thoughtfully. When voices move together, make them unified. When individual lines emerge, let them breathe without blurring into the whole.

Slip this into a spring concert of contemporary hits or film music to give the program momentum and modern appeal. It pairs well with other Disney selections if you're building a family-friendly set, but it stands equally strong as a standalone novelty that reminds audiences why they love the film. Consider it essential programming if you're working with younger singers who need material that speaks to their musical world.

• Reading and maintaining rhythmic independence across three simultaneous patterns
• Understanding syncopation and Latin percussion-influenced vocal rhythm
• Executing precise articulation and accent placement for groove and clarity
• Balancing ensemble cohesion with personality and character in contemporary idiom
• Responding to film music arrangement conventions and orchestration in choral texture