We Don't Talk About Bruno (from Encanto) (arr. Johnnie Vinson): Flex Ensemble Conductor Score & Parts

Propulsive and rhythmically infectious, with that particular sparkle that made the film's music resonate with young audiences. The arrangement maintains the track's Latin-influenced percussion color and the building tension of the original while translating it into idiomatic ensemble writing.

Middle school and early high school ensemble directors looking for high-energy, culturally relevant repertoire that doesn't require advanced technique. This works equally well for concert bands, wind ensembles, or mixed instrumental groups seeking crowd-pleasing material with genuine musical substance.

• Lock in the syncopated rhythmic figure that drives the song; it's the heartbeat of the arrangement, and ensemble precision here transforms the piece from competent to exciting.
• Balance the melodic lines across the ensemble so no single voice dominates. This isn't a solo vehicle; the arrangement thrives on collective ownership of the tune.
• Articulation matters more than dynamic range at this level. Use crisp, unified tonguing on the rhythmic punctuations to clarify the arrangement's harmonic structure.
• Build momentum gradually through the piece rather than playing at full energy from bar one. The dramatic arc of the original song should shape your tempo and intensity choices.

This pairs naturally with other contemporary film and theater music on a spring concert, or stands alone as an audience favorite that builds your band's momentum toward a larger work. It's also an excellent choice for pep band events or community performances where accessibility and fun carry equal weight with musicianship.

• Maintaining rhythmic precision in syncopated ensemble passages
• Balancing independent lines within a unified harmonic texture
• Executing articulation patterns that clarify harmonic movement
• Responding to dynamic shaping that supports dramatic architecture