We Can't Be Friends: Concert Band Conductor Score & Parts
(Wait for Your Love)
Words and music by Ilya Salmanzadeh, Ariana Grande, and Max Martin / arr. Michael Story
Grade: 2.5
Item: 00-PK-0009128
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More about this title
About the Composer: Ilya Salmanzadeh
Ilya Salmanzadeh is a songwriter and producer who has shaped some of pop music's biggest moments in the last decade. His work across multiple genres demonstrates a gift for melody and groove that translates remarkably well to ensemble writing.
For band directors, Salmanzadeh's involvement in "We Can't Be Friends" matters because it means the original composition carries genuine pop sensibility. Story's arrangement preserves what made the song resonate with millions of listeners while making it playable and engaging for young musicians.
Why we love this
Michael Story's arrangement captures the infectious energy of the original without losing the melodic sophistication that made this song a chart-topper. The flexibility built into the percussion section (traditional band or drumset introduction) means you can tailor the sound to your ensemble's strengths and learning goals. At Grade 2.5, this sits at that sweet spot where students feel genuinely excited about what they're playing.
What to expect
Energetic and modern, with a pop sensibility that feels current without being trendy. The arrangement balances bright melodic writing with a steady dance-pop groove that draws listeners in immediately.
Who it's for
Concert bands at the Grade 2 to 3 level looking for contemporary repertoire that resonates with students and audiences alike. This works especially well for ensembles seeking accessible pop arrangements that don't sacrifice musicianship or challenge players to grow.
How to get the most out of it
- Balance the melody line across your woodwinds; the hook should sit forward enough that the audience hears it clearly over the groove underneath.
- Lock in the rhythmic pocket with your rhythm section. If using the drumset option, establish that coordination early in rehearsal and let the groove breathe.
- Bring out the layered textures by letting each section's entrance register. This arrangement builds momentum through addition, not volume.
- The 2:10 runtime moves quickly; maintain consistent pacing through transitions to keep the energy alive.
How to use it
Program this as a crowd-pleaser in a spring or winter concert where you want to showcase your band's versatility and connection to contemporary music. It pairs well alongside classical or traditional concert band pieces to demonstrate range, or use it as an opener to set an upbeat tone for the entire program.
Skills your students will build
- Interpreting syncopated rhythms in a pop idiom
- Balancing melody with accompaniment textures
- Reading and executing drum set parts (if selecting that option)
- Maintaining steady groove-based rhythm
- Articulation control in contemporary styles