We Built This City Sheet Music Preview

We Built This City: Marching Band Conductor Score & Parts

By Peter Wolf / By Martin Page / By Bernie Taupin / By Dennis Lambert / As performed by Starship / Arranged by Tim Waters

Grade: 3-4

Item: 35-PK00235134

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Description
First recorded by the group Starship in 1985, this iconic hit has been recorded and parodied countless times over the years, including being featured in the 2011 movie "The Muppets". Tim's exciting arrangement of this familiar hit is sure to bring back a flood of memories.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00235134

More about this title

About the Composer: Peter Wolf

Peter Wolf is a singer, keyboardist, and songwriter who rose to prominence as the frontman of The J. Geils Band, where he co-wrote and performed some of rock's most enduring anthems. His songwriting career extends well beyond his own recordings; Wolf has crafted hits for other artists that showcase his gift for crafting memorable hooks and high-energy rock arrangements. His work across multiple decades demonstrates a versatility that spans blues, rock, and pop sensibilities.

Wolf's compositional voice is marked by infectious melodies and driving rhythms that translate powerfully to ensemble performance. His ability to write songs that resonate across generations makes his catalog particularly valuable for programs seeking material with genuine cultural currency and broad appeal.

Why we love this

This arrangement captures everything that made the original such a juggernaut: irresistible momentum, a chorus that lands every single time, and enough rhythmic drive to energize any crowd. Tim Waters has tailored it specifically for marching ensembles at this level, so you get the character of the original without the orchestration headaches. Programming a rock anthem this recognizable and this well-executed gives your band instant credibility and genuine excitement.

What to expect

Unstoppable. The arrangement channels pure pop-rock energy: propulsive rhythm section, shimmering layers, and a chorus designed to stick in listeners' heads long after the performance ends. There's a celebratory quality to the orchestration that makes the whole band feel like they're driving something big and important forward together.

Who it's for

Marching bands at the Grade 3-4 level who want to connect with audiences through material that genuinely resonates. This works equally well for programs building confidence in younger ensembles and for experienced groups seeking a crowd-pleaser that respects their ability to execute contemporary rock arrangements.

How to get the most out of it

  • Lock the snare drum articulation in the opening section; its crisp attack defines the groove for everything that follows.
  • Find the sweet spot with the brass hits during the chorus. They should punch through without overwhelming the melodic voices that carry the hook.
  • Balance the synthesizer pad against the horn lines. The pad anchors the harmonic color, but the melody must remain audible and present.
  • Push slightly into the final chorus repetitions. The arrangement builds momentum here, and subtle acceleration creates propulsive energy without rushing the actual tempo.

How to use it

Position this as a natural complement to your rock or contemporary music programming, or use it strategically as a closer that sends the audience out on an undeniable high. It also pairs well with other iconic hits from the 1980s if you're building a themed concert, and its strong audience recognition makes it an excellent choice for community events or non-traditional venues where familiar material breaks down listener barriers.

Skills your students will build

  • Executing syncopated rhythmic figures in marching contexts
  • Balancing modern rock harmonic language in ensemble settings
  • Sustaining groove and pulse through repetitive patterns
  • Blending synthesizer parts with traditional instrumentation
  • Building dynamic intensity through repetition and layering

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