We Belong Together (from Toy Story 3) (arr. Ed Lojeski) Sheet Music Preview

We Belong Together (from Toy Story 3) (arr. Ed Lojeski): 2-Part Choral Octavo

By Randy Newman / Arranged by Ed Lojeski

Item: 35-DS00161071

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00161071

More about this title

About the Composer: Randy Newman

Randy Newman is a singer-songwriter and composer whose distinctive voice and witty, observational lyrics have made him a fixture in popular music since the 1970s. His work in film scoring has earned him eleven Academy Award nominations, with particular success in animated features where his ability to capture genuine emotion through deceptively simple melodies serves the stories perfectly.

Why we love this

Ed Lojeski's 2-part setting brings this Oscar-winning song within reach for younger and developing choirs while preserving Newman's achingly tender melody. The arrangement respects the song's emotional core without oversimplifying it, making it an ideal choice for concert programming that connects with audiences of all ages.

What to expect

There is a quiet vulnerability here, a song about connection and longing told with understated grace. The melody unfolds gently, inviting singers and listeners alike into an intimate moment of sincerity.

Who it's for

This arrangement suits middle school and early high school choirs seeking accessible repertoire with substantial emotional weight. It also works beautifully for treble choirs and developing programs looking for concert material that students genuinely connect with.

How to get the most out of it

  • Approach the melody as a character's honest confession rather than a pop tune. The restraint in your tone matters more than brightness or volume.
  • Balance the two parts carefully so neither dominates; this duet structure means both lines deserve equal attention in the mix.
  • Let the text shape your phrasing. Newman's lyrics drive the melody, so honor the natural speech rhythms rather than forcing geometric phrase shapes.

How to use it

Pair this with other film-based repertoire for a thematic concert, or use it as a lighter, more contemporary anchor alongside classical choral standards. The song's 9-page length and accessible voicing make it practical for mid-year concerts or spring programming.

Skills your students will build

  • Emotional expression through dynamic restraint
  • Singing text-driven melodies with natural phrasing
  • Balancing two independent vocal lines
  • Connecting with contemporary musical language in choral settings

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