We Believe (arr. Heather Sorenson): SSA Choral Octavo

Direct and fervent, with moments of building intensity that feel earned rather than forced. The arrangement balances accessibility with harmonic interest, letting the conviction of the text shine through without technical barriers getting in the way.

SSA and SSAA choirs looking for contemporary sacred repertoire with real sing-ability and memorable hooks. This works equally well for high school ensembles, church choirs, and college groups seeking modern worship material that doesn't feel thin or oversimplified.

• Anchor the unison sections with confident, full-voiced support from your section leaders; these passages are the emotional core and need to land with certainty.
• Allow space for the harmonic moments to bloom, especially where the parts divide. Resist the urge to rush into the next phrase.
• Pay close attention to any key relationships in the arrangement; shifts in color should feel intentional, not accidental.
• Work the text expressively from the start. A song about conviction needs singers who understand what they're declaring.

Consider pairing this with other contemporary sacred works in a spring concert devoted to modern worship, or lead a service with it as the emotional centerpiece. The piece has enough substance to anchor a set but sits comfortably alongside both traditional hymns and other modern arrangements.

• Sustaining long phrases over harmonic changes
• Balancing unison declarations with divided parts
• Interpreting contemporary sacred text with intentionality
• Finding vocal independence within homophonic writing