We Are the Choir: SoundTrax Digital Audio Download

Donald Moore's arrangement transforms Schubert's elegant writing into a piece that works brilliantly with movement and staging, giving your singers something genuinely theatrical to do while maintaining the integrity of the original material. The novelty element keeps singers engaged during what can otherwise be a more formal classical arrangement, and the recorded accompaniment option means you can rehearse and perform with confidence regardless of your piano resources.

Playful yet refined, with the charm of a Romantic-era melody wrapped in contemporary arranging sensibility. The piece moves with lightness and humor, inviting singers to embrace both the music and the staged elements as a unified whole.

Choirs seeking an engaging piece that bridges classical repertoire with performance theater, particularly middle school and high school ensembles ready for something with personality and movement. Directors who want their singers to experience Schubert through a lens that feels fresh and accessible without sacrificing musical integrity.

• Coordinate the choreography during early rehearsals rather than waiting until late in the process; your singers will lock the music and staging together more securely if they develop them in tandem.
• Lean into the character and personality that the staging demands; Schubert's lines sing beautifully when performers connect to the theatrical intent rather than approaching the piece as a straight classical work.
• If using the recorded accompaniment, rehearse with it regularly so singers internalize the tempos and accompaniment textures before performance.

This works especially well as a concert opener or closer where it can command full attention and staging focus without competing for musical weight against heavier repertoire. It's also an excellent choice for programs that pair classical arrangements with contemporary pieces, creating a bridge between eras.

• Singing Schubert's characteristic long-lined melodies with proper phrase shape
• Coordinating vocal performance with staged movement
• Internalizing accompaniment patterns from recorded audio
• Responding to harmonic nuance within a classical arrangement