We Are People Of Faith Sheet Music Preview

We Are People Of Faith: SATB Choral Octavo

As performed by Nancy Price / As performed by Don Besig

Item: 35-DS00258689

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00258689

More about this title

About the Artist: Nancy Price

Nancy Price has established herself as a significant voice in contemporary choral composition, bringing both accessibility and musical substance to sacred and secular texts. Her work emphasizes clear harmonic language and emotionally direct storytelling, making her pieces particularly valuable for choirs seeking repertoire that resonates with audiences while remaining technically manageable.

Why we love this

Price's setting captures the declarative power of its text without resorting to bombast. The four-part writing balances singability across all voices with moments of genuine harmonic interest, making this a piece that feels substantial to performers while remaining accessible to singers of intermediate ability.

What to expect

Direct and affirming. The harmonic language is rooted in tradition but never feels dated, and there's an understated warmth that comes from the text's inclusive declaration of shared identity and purpose.

Who it's for

This octavo works for adult choirs, church choirs, and high school ensembles looking for sacred concert repertoire that speaks clearly without requiring virtuosity. The three-page length makes it ideal for programs where you need a complete musical thought without substantial rehearsal investment.

How to get the most out of it

  • Shape the text first. Let the natural cadences and punctuation of the lyrics guide your phrase lengths rather than imposing uniform four-bar phrases.
  • Balance the SATB blend carefully in sections where all four parts move together; avoid letting tenors and basses overwhelm sopranos and altos.
  • Consider the emotional arc. Build gradually through the middle section and allow the final statement of the title text to land with quiet conviction rather than volume.

How to use it

Pair this with other contemporary sacred works or position it as a closing number in a secular concert program where you want to acknowledge spiritual themes without relying solely on traditional hymn settings. Its moderate length allows it to anchor a mixed-genre program.

Skills your students will build

  • Maintaining independent vocal lines in four-part writing
  • Shaping phrases around textual meaning rather than melodic convention
  • Blending SATB voices with equal presence across parts

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