We Are Not Alone Sheet Music Preview

We Are Not Alone: TTBB Choral Octavo

By Pepper Choplin

Item: 35-DS00472655

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00472655

More about this title

About the Composer: Pepper Choplin

Pepper Choplin

Pepper Choplin studied music composition at Southwestern Baptist Theological Seminary in Fort Worth after earning his Bachelor of Music from the University of North Carolina at Greensboro. His catalog includes over two hundred anthems and seven choral musicals, developed through diverse musical experiences spanning rock, classical, bluegrass, and sacred music across church and entertainment settings.

As Minister of Music at Greystone Baptist Church in Raleigh, North Carolina, Choplin draws on real congregational needs to fuel his compositional work. He conducts workshops and clinics nationwide, blending inspirational and humorous pieces that move audiences to both laughter and reflection. His recordings include the self-produced "Pepper Is My Real Name" and the solo album "Hold On," which showcases his most cherished inspirational compositions.

Why we love this

Choplin's text setting here avoids predictability. The piece captures a contemporary spiritual sensibility without saccharine overtones, making it genuinely moving for both singers and listeners. Eleven pages of TTBB writing this substantive gives your men's chorus real musical meat while remaining accessible to groups still building their four-part foundation.

What to expect

A contemplative yet affirming statement rooted in faith and connection. The piece invites singers into intimate reflection while building toward moments of collective conviction and warmth.

Who it's for

Men's choruses and mixed choirs with strong tenor and bass sections looking for spiritually engaging octavo material with contemporary relevance. This works well for groups comfortable with four-part voicing who want to program something beyond standard hymn arrangements.

How to get the most out of it

  • Build the dynamic arc gradually across the full length of the piece rather than hitting climax points early; Choplin's phrasing rewards patience and careful control of the overall trajectory.
  • Let the message of the text shape your interpretive choices; the title itself should inform how you shape phrases and balance the voices.
  • Pay close attention to voice leading between the four parts, especially in transition passages, to ensure each line remains singable and audible.
  • Balance the upper voices carefully in full harmony sections so the top line doesn't dominate the vertical sonority.

How to use it

Pair this with shorter, simpler pieces to give your men's voices a substantial feature without overwhelming a concert. The thematic content makes it particularly effective in worship contexts or faith-centered programming.

Skills your students will build

  • Four-part harmonic independence in TTBB texture
  • Dynamic control across longer formal structures
  • Text expression and interpretive phrasing in sacred music
  • Balance and blend between changing harmonic configurations

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