We Are Family Sheet Music Preview

We Are Family: Jazz Ensemble Conductor Score & Parts

As performed by Sister Sledge / Arranged by Paul Murtha

Grade: 2

Item: 35-PK00367267

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Description
In the height of the disco era, this tune recorded by Sister Sledge caught fire on the RB and pop charts in 1979. Baseball fans will remember this as the team anthem for the world champion Pittsburgh Pirates that same year. Here is a great sounding and funky version for young players.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00367267

More about this title

About the Artist: Sister Sledge

Sister Sledge emerged from Philadelphia in the 1970s as one of the most distinctive vocal groups of the disco era. The four sisters brought tight harmonies, infectious grooves, and genuine warmth to their recordings, standing out in a genre often criticized for being cold or mechanical. Their 1979 hit "We Are Family" became a cultural touchstone, adopted as an anthem by the Pittsburgh Pirates and countless sports teams, schools, and community organizations seeking a unifying message.

Why we love this

This arrangement captures the infectious spirit that made the original a crossover smash without requiring a rhythm section with serious chops. Young players get to stake their claim on a legitimate chart hit, and the funky groove sits naturally in the ensemble without demanding complex syncopation or tricky section writing. Your students will recognize it immediately, and audiences respond to this tune every single time.

What to expect

Groove-centered and unapologetically funky, this arrangement channels the disco spirit through a big band lens. The pulse drives relentlessly forward while voices and horns lock into a pocket that feels immediately rewarding to play. There's joy and cohesion woven into every measure, inviting your ensemble to settle into a feel rather than strain against complexity.

Who it's for

Grade 2 jazz ensembles looking for accessible material with genuine commercial appeal. Directors seeking repertoire that connects instantly with student musicians and general audiences alike, without sacrificing musical substance.

How to get the most out of it

  • Lock the eighth note pulse in the rhythm section before rehearsing melody. This groove lives or dies on the tightness of your drums and bass section, so spend time getting that pocket solid and consistent.
  • Shape the horn sections around the vocal melody rather than doubling it exactly. Let saxophones and trumpets breathe together as a unit and find the color that complements the soloists without overshadowing them.
  • Bring out the background vocals in rehearsal. Younger ensembles often treat harmony voices as accompaniment when they deserve to sit prominently in the mix, especially during the main hook.
  • Keep the energy propulsive but never rushed. Disco grooves can sound draggy if the tempo dips, so lock in a tempo that feels slightly forward and hold it steady throughout.

How to use it

Perfect for a pops or family concert where you want the audience singing along before the second chorus. Program it alongside other 1970s and 1980s funk or soul standards to create a set that feels contemporary and energized. Consider using it as a closer or near-closer when you need momentum and audience goodwill.

Skills your students will build

  • Ensemble swing feel and funk pocket playing
  • Reading and executing syncopated rhythmic patterns in a contemporary idiom
  • Balancing independent lines while maintaining section cohesion
  • Interpreting stylistic articulation and phrasing appropriate to funk and disco idioms

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