We All Stand Together (arr. Dirk Kokx): SAB Choral Octavo

Kokx's arrangement opens this McCartney classic to three-part mixed choirs without sacrificing the song's warmth and sing-along quality. The 106 pages suggest substantial musical development, giving singers real work to do while keeping the piece firmly in the realm of enjoyable, memorable pop.

Inclusive and joyful, with the kind of melodic directness that makes singers feel confident and audiences feel connected. The arrangement preserves McCartney's gift for writing lines that seem to sing themselves.

Any choir looking to program contemporary music that engages audiences and singers alike. Directors seeking pop repertoire that sits comfortably for mixed three-part voicing will find this arrangement accessible without being simplistic.

• Balance the three parts so the melody stays clear without drowning out the harmonic support beneath it.
• Lean into the pop idiom with a conversational tone in the text delivery rather than a classical vocal approach.
• Work the blend between altos and tenors in the lower register to ensure neither part disappears.
• Find the groove together as an ensemble; this style thrives on rhythmic cohesion and shared energy.

This works beautifully as a concert closer or a feel-good moment in a mixed program. Consider pairing it with other pop or contemporary secular choral works to showcase your ensemble's range and versatility beyond traditional classical repertoire.

• Singing pop-inflected melodies with clarity and expression
• Balancing melody and harmony within a three-part texture
• Interpreting contemporary popular music in a choral setting
• Maintaining rhythmic precision in pop idioms