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WB Christian Piano Library: Worship & Praise (Level 5): Piano Book

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WB Christian Piano Library: Worship & Praise (Level 5): Piano Book

Arranged by Beatrice A. Miller

Level: Late Intermediate

Item: 00-ELM01007

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Description
Choices for preludes, offertories, and postludes include: I Surrender All * The Church's One Foundation * It Is Well with My Soul * Amazing Grace * How Great Thou Art * Jesus Walked This Lonesome Valley * Precious Lord, Take My Hand * Jesus Loves Me.

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Additional Details
Series: WB Christian Piano Library
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7579-1028-9
ISBN13: 978-0-7579-1028-9
UPC: 654979054306
SKU: 00-ELM01007

More about this title

About the Arranger: Beatrice A. Miller

Beatrice A. Miller

Beatrice A. Miller grew up in Detroit, Michigan, in a musical household shaped by her father's work as a Lutheran pastor, choir director, and accomplished musician. Evening hymn singing was central to family life, and Miller credits this deep immersion in sacred music tradition with her lifelong commitment to composing and arranging religious works. Her precocious ear for music showed itself early—at nine months old, her infant vocalizations matched the cadence of the hymns her family sang, a phenomenon that delighted her four older brothers and turned them into willing singers.

Miller earned her Master's degree in music composition from Northwestern University and spent decades serving as a piano teacher, church organist, and choir director in Corvallis, Oregon, before retiring from classroom teaching in 1979 to focus on composition. She began publishing her music in 1987 and has been widely recognized for her contributions to sacred music; the Oregon Music Teacher's Association named her Composer of the Year in 1997.

Why we love this

Miller's arrangements balance accessibility with musical substance, making beloved hymns and spirituals sound fresh without losing their character. Each piece works beautifully as a standalone prelude, offertory, or postlude, giving worship musicians genuine choices rather than formulaic settings. The late intermediate level is pitched just right: challenging enough to keep experienced players engaged, but structured clearly enough that it doesn't demand excessive rehearsal time.

What to expect

These arrangements honor the spiritual depth and singability of their source melodies while giving the piano part genuine musical interest. The writing is warm and accessible, never condescending, with moments of expressive rubato and harmonic color that let you bring your own musicality to the score.

Who it's for

Church pianists and organists who need reliable, beautifully written pieces for worship services, as well as late intermediate piano students looking to deepen their understanding of hymn arrangement and sacred music. This collection works equally well for pianists preparing recital repertoire with a liturgical focus.

How to get the most out of it

  • Pay attention to the registration and voicing choices Miller has made; they often suggest where to shape the phrasing and where to let the melody breathe. Listen for spaces where the accompaniment pulls back to give the line room.
  • Practice the rhythmic relationships between hand parts carefully, especially in pieces with syncopation or syncopated accompaniment. These details become more musical when they're clean rather than approximate.
  • Consider the liturgical moment each piece occupies. A prelude sets the tone for worship to begin; an offertory creates space for reflection; a postlude sends the congregation out. Let that context inform your tempo and character choices.
  • Use the hymn or spiritual as your reference point. Listen to several recordings or vocal performances of the melody before you begin; it will anchor your phrasing and help you find the emotional center of Miller's arrangement.

How to use it

Stock your worship service music with pieces you can rotate throughout the year, selecting arrangements that fit the liturgical season or sermon theme. This collection also works as a semester's worth of repertoire for an intermediate piano student focused on sacred music, or as individual recital pieces that stand on their own merit.

Skills your students will build

  • Voice leading and counterpoint in hymn-based writing
  • Pedal technique and sustain management in slower, reflective tempos
  • Sight-reading fluency across a variety of harmonic styles within the sacred music tradition
  • Expressive phrasing and rubato in accompaniment-driven textures
  • Understanding how arrangement can honor a melody's character while adding pianistic interest

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