WB 3D Drill Designs -- 2001 Gladiator/Ben Hur Tribute to Tito Puente Drills Cover Image

WB 3D Drill Designs -- 2001 Gladiator/Ben Hur Tribute to Tito Puente Drills: Marching Band CD-ROM (Windows / Macintosh)

$129.99 USD
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WB 3D Drill Designs -- 2001 Gladiator/Ben Hur Tribute to Tito Puente Drills Cover Image

WB 3D Drill Designs -- 2001 Gladiator/Ben Hur Tribute to Tito Puente Drills: Marching Band CD-ROM (Windows / Macintosh)

drills by Craig Harms and George Blakely

Item: 00-BDM01003CD

$129.99
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Description
Includes: Gladiator/Ben Hur (Complete Show)---Overture from Ben Hur * The Barbarian Horde * Gladiator Finale and A Tribute to Tito Puente (Complete Show)---Mambo Beat * Beautiful Maria of My Soul * Para Los Rumberos. This CD contains two complete shows for middle to advanced level marching bands in both MAC and PC formatted drill designs.

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Additional Details
Series: WB 3D Drill Designs
Publisher: Alfred Music
Page Count: 16
UPC: 654979019640
SKU: 00-BDM01003CD

More about this title

Why we love this

Two complete, distinct shows on a single disk gives you programming flexibility without the usual time investment of building drill from scratch. The pairing of epic film scores with classic Latin jazz is musically sophisticated and visually engaging, offering your band a chance to tackle serious arranging and ensemble work without sacrificing crowd appeal.

What to expect

Epic and rhythmically alive. The Gladiator/Ben Hur show swells with orchestral grandeur and martial intensity, while the Tito Puente tribute pulses with mambo swing and rumbero fire. Together they offer the momentum of Hollywood spectacle tempered by the groove and sophistication of Latin jazz.

Who it's for

Marching bands at the middle to advanced level looking for two complete shows that pair cinematic scope with Latin rhythmic vocabulary. This collection suits programs that want to explore film music beyond traditional marching band fare or that are building a season around thematic programming.

How to get the most out of it

  • Map out the drill on a practice field before your first full run-through; the 3D designs benefit from spatial awareness, and having visual landmarks helps sections lock their timing and spacing early.
  • Balance the volume between the thematic material (Overture, Mambo Beat) and the textural backgrounds (Barbarian Horde, the rumbero sections); these arrangements layer heavily, and clarity requires disciplined dynamic control from every section.
  • Use the film footage or thematic connections as rehearsal shorthand; discuss what Gladiator or Ben Hur imagery suggests about pacing, intensity, and emotional arc, then translate that into the musical performance.

How to use it

Feature the Gladiator show as a competitive piece or pre-game closer if your band competes; its cinematic arc and dramatic climax read well in that context. Reserve the Puente tribute for festival appearances or concerts where you can program it alongside other Latin works or use it to open a concert with immediate audience energy.

Skills your students will build

  • Reading and executing complex drill designs on the field
  • Balancing multiple rhythmic layers and textural voices simultaneously
  • Interpreting film-based thematic material with musical intention
  • Executing Latin rhythmic patterns (mambo, rumba, clave) with ensemble precision
  • Managing tempo consistency and spacing over extended show structures

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