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Way to Play Jazz Guitar: Riffs and Chords: Intermediate/Late Intermediate Guitar Book

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Way to Play Jazz Guitar: Riffs and Chords Cover Image

Way to Play Jazz Guitar: Riffs and Chords: Intermediate/Late Intermediate Guitar Book

By Mark Tonelli, Philip Groeber

Item: 98-G1052

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Description
Dig into the two most desirous components of jazz guitar performance: soloing, and lush chord voicings.

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Additional Details
Series: Way To Play
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-134-1
ISBN13: 978-1-61-928134-9
UPC: 674398233991
SKU: 98-G1052

More about this title

Why we love this

This book cuts straight to what intermediate guitarists actually want to master: the vocabulary that makes jazz sound like jazz. Rather than burying riff construction and chord voicing in lengthy theory chapters, Tonelli and Groeber make both immediately playable, so students hear results right away and stay motivated to dig deeper.

What to expect

Sophisticated without being inaccessible. The riffs carry the swagger and rhythmic nuance of real jazz language, while the voicing examples open up the harmonic color that separates jazz guitar from other genres. Playing through these examples feels like learning an actual dialect rather than solving puzzles.

Who it's for

Guitarists who've moved past basic chord changes and want to develop the stylistic chops that define jazz playing. This works for students aiming toward jazz ensembles, combos, or simply deepening their understanding of how jazz guitarists construct solos and accompany other musicians.

How to get the most out of it

  • Work through one riff at a time before moving to the next. Internalize the phrasing and articulation so it becomes muscle memory, not something you're reading.
  • Use a metronome set at a tempo where you can execute the voicings cleanly. Jazz chords demand precision; rushing through them obscures what makes them sound sophisticated.
  • Record yourself playing the riffs over backing tracks. Hearing how they sit against the rhythm section reveals whether your timing and note choice actually land the way you intend.
  • Practice the chord voicings in multiple keys. The patterns in this book become far more useful once you can move them around the neck without rethinking every note.

How to use it

Assign this as a semester-long independent study for guitarists who are ready to specialize, or use specific sections in jazz ensemble rehearsals to build the comping and soloing vocabulary your band needs. It also pairs well with standard method books as a targeted supplement for students whose jazz interest outpaces their classical foundation.

Skills your students will build

  • Jazz riff construction and phrasing
  • Upper-structure and extended chord voicings
  • Chord substitution and reharmonization
  • Soloing over jazz changes
  • Rhythmic interpretation and articulation in a jazz context
  • Transposing riffs and voicings across the fretboard

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