Way to Play Jazz Guitar: Chord Melody 1 Cover Image

Way to Play Jazz Guitar: Chord Melody 1: Intermediate Guitar Book

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Way to Play Jazz Guitar: Chord Melody 1 Cover Image

Way to Play Jazz Guitar: Chord Melody 1: Intermediate Guitar Book

By Mark Tonelli, Philip Groeber

Item: 98-G1056

$8.50
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Description
Fill a room with the lush chords of a beautiful chord melody! Here is a famous quote from Joe Pass, a famous jazz guitarist known for his chord melody skills, "Guitarists should be able to pick up the guitar and play music on it for an hour, without a rhythm section or anything!" Time to get busy!

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Additional Details
Series: Way to Play
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-256-9
ISBN13: 978-1-61928-256-8
UPC: 024144440034
SKU: 98-G1056

More about this title

About the Composer: Mark Tonelli

Mark Tonelli brings decades of experience teaching guitar across multiple genres, with a particular expertise in jazz pedagogy. His method books are known for building genuine musicianship rather than just technical facility, grounding students in the realities of how professional musicians actually play.

Why we love this

This book cuts through the abstraction of jazz guitar by focusing on chord melody from the start, rather than leaving it as an advanced afterthought. Students get immediate access to the kind of playing that makes jazz guitar feel complete and self-contained, building confidence alongside technique.

What to expect

Lush and full. Chord melody done well fills a room the way a piano does, with melody and harmony happening at once from a single voice. There's an elegance to it, a kind of self-sufficiency that makes playing solo feel like a complete musical statement.

Who it's for

Intermediate guitarists ready to move beyond single-line playing and basic comping. This works for students preparing for jazz ensemble, and for any guitarist who wants to perform solo without needing a band around them.

How to get the most out of it

  • Separate the melody line from the harmonic foundation mentally before combining them. Practice the melody alone, then the chord voicings alone, then weave them together.
  • Pay attention to voice leading between chords. The smoothest melodic lines come from letting guide tones move by step or small interval, not jumping all over the neck.
  • Record yourself playing along with a metronome at a moderate tempo, then listen back specifically for whether the melody sings above the harmony or disappears into it.
  • Work through each tune at half speed first. Chord melody requires hand independence that feels awkward until muscle memory develops.

How to use it

Slot this into your jazz guitar curriculum right after students master basic jazz voicings and rhythm changes. It pairs well with small ensemble work, giving students something substantial to work on independently while ensemble members focus on their own parts. It's also ideal for students preparing auditions or recitals where they need solo material.

Skills your students will build

  • Integrating melody and harmony into single-note lines
  • Smooth voice leading between jazz chord voicings
  • Reading and interpreting chord symbols with harmonic awareness
  • Building independence in left and right hand coordination
  • Ear training for identifying guide tones and chord tones

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