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Wave: Choral Instrumental Pak

As performed by Antonio Carlos Jobim / Arranged by Paris Rutherford

Item: 35-PK00273097

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Description
From Antonio Carlos Jobim's 1967 album of the same name, this is one of his most memorable songs, a bossa nova with an enchanting mixture of major and modal harmonies and warm, expressive lyrics. This accessible setting will showcase your ensemble and create a special concert moment. Duration: ca. 4:00.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00273097

More about this title

About the Artist: Antonio Carlos Jobim

Antonio Carlos Jobim (1927-1994) was the primary architect of bossa nova, a genre that fused Brazilian samba rhythms with jazz harmonies and cool sophistication. His compositions became the soundtrack to the bossa nova movement of the 1960s, earning him international recognition and multiple Grammy Awards. Jobim's gift for melody and harmonic subtlety made him one of the most influential songwriters of the twentieth century, and his work remains essential to understanding modern Brazilian music.

In the classroom and rehearsal hall, Jobim's songs offer students direct access to authentic Latin music idioms. His compositions teach functional harmony through real musical contexts rather than abstract exercises, and they consistently reward careful attention to subtle voicing and phrasing.

Why we love this

Wave sits at an ideal point between accessibility and sophistication. The arrangement lets your singers connect with one of bossa nova's signature melodies while the harmonic language exposes them to the major-modal blend that defines Jobim's compositional voice. Your ensemble will feel accomplished performing a piece this musically substantial, and your audience will recognize the warmth and elegance immediately.

What to expect

Warm and urbane. Wave moves with the ease of someone who knows exactly where they belong, neither hurried nor stiff. The interplay of major and modal colors creates a sophisticated harmonic landscape that feels both inviting and slightly mysterious, like a conversation in a room where everyone understands the stakes.

Who it's for

Any ensemble seeking a Latin standard with genuine musical depth. This works for advanced high school choirs, college groups, and professional ensembles who want to program something familiar yet skillfully crafted.

How to get the most out of it

  • Establish the bossa nova lilt early in rehearsal by having the ensemble tap the rhythm section's characteristic pattern before singing the melody. This builds the groove from the inside out rather than imposing it from above.
  • Shape the harmonic color by asking singers to listen inward during the modal passages. The distinctiveness of these chords comes through clearly only if the blend stays warm and cohesive rather than bright or strained.
  • Balance the text naturally within the pulse. Jobim's lyrics function almost like another instrument, so resist the urge to punch rhythms artificially. The song breathes best when phrasing follows speech patterns within the bossa nova framework.
  • Let the instrumental sections breathe without rushing. These moments give singers a chance to reset their energy and allow the accompaniment's harmonic sophistication to register with listeners.

How to use it

Program this alongside other Jobim songs to create a Brazil-focused concert segment, or place it strategically in a world music concert where its melodic clarity can anchor a suite of Latin selections. It also serves beautifully as a encore or closing piece, leaving the audience with something both joyful and musically substantive.

Skills your students will build

  • Recognizing and sustaining major-modal harmonic blends
  • Executing bossa nova rhythm section patterns with accuracy and feel
  • Balancing lyrical phrasing against metric precision in Latin idioms
  • Maintaining blend and warmth in chord structures built on extended harmonies

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