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Wave: E-Z Play Today

By Antonio Carlos Jobim

Item: 35-DS00450121

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00450121

More about this title

About the Composer: Antonio Carlos Jobim

Antonio Carlos Jobim (1927-1994) was the architect of bossa nova, a genre that fundamentally reshaped jazz and popular music. A composer, pianist, and songwriter, he created some of the most enduring standards of the twentieth century by fusing Brazilian rhythmic sophistication with jazz harmony and lyrical melody. His work demonstrated that popular music could be intellectually rigorous without sacrificing accessibility or warmth.

Jobim's influence on music education extends far beyond Brazil. His compositions became essential repertoire for jazz students learning about harmonic innovation, and his approach to rhythm and phrasing opened new possibilities for improvisation. Teachers continue to use his music as a gateway into understanding how folk traditions and contemporary jazz practices can coexist.

Why we love this

Jobim's harmonic language feels conversational rather than showy, making this a perfect entry point for pianists who want to sound sophisticated without getting tangled in overwrought voicings. The bossa nova groove sits naturally under the fingers once students grasp the basic rhythmic foundation, creating immediate musicality even at a moderate level.

What to expect

Warm, unhurried, and subtly sophisticated. The bossa nova rhythm creates a gentle forward motion while the harmonies suggest both the openness of a summer evening and the emotional depth of a classic ballad. There's a relaxed confidence in this tune, a sense of beauty earned through simplicity rather than complexity.

Who it's for

Pianists at the intermediate level who are ready to explore jazz standards beyond swing feel. This works well for students building jazz fluency or adult learners seeking material that sounds polished without requiring advanced technique.

How to get the most out of it

  • Keep the left hand ostinato steady and light; let the rhythm section breathe rather than pushing. The groove lives in restraint.
  • Voice the chords with space between notes. Dense, block voicings will flatten the harmonic sophistication that makes this tune sing.
  • Feel the half-time pulse underneath the bossa nova subdivision. This mental anchor prevents the tempo from drifting upward as nerves kick in.
  • Listen closely to where the melody sits against the harmony on each phrase; Jobim rarely doubles the obvious note, and those small harmonic surprises are worth hearing.

How to use it

Use this as a standalone jazz feature in a pops or standards concert, or pair it with other Jobim compositions to create a mini bossa nova set that introduces audiences to the genre's appeal. It also serves as an excellent vehicle for a student recital piece where musicality matters more than technical display.

Skills your students will build

  • Bossa nova rhythm and coordination between hands
  • Jazz chord voicing and shell voicings
  • Reading and internalizing jazz swing feel and rubato
  • Improvisation over jazz changes
  • Listening to and imitating recorded interpretations for style accuracy

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