Water Is Wide (from The Daily Ukulele) (arr. Liz and Jim Beloff) Sheet Music Preview

Water Is Wide (from The Daily Ukulele) (arr. Liz and Jim Beloff): Ukulele

As performed by Jim Beloff / As performed by Liz Beloff

Item: 35-DS00378283

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00378283

More about this title

About the Artist: Jim Beloff

Jim Beloff is a ukulele virtuoso and educator who has become synonymous with bringing classical and traditional music to the ukulele. His work arranging hundreds of songs for the instrument has fundamentally shaped how ukulele is taught and performed in modern music education, making repertoire accessible without sacrificing musical integrity.

Working alongside his wife Liz, Beloff has created The Daily Ukulele series, a collection that demonstrates how the ukulele can carry serious musical material across genres, from folk standards to jazz and world music. His arrangements balance simplicity with sophistication, allowing students at multiple levels to find genuine musical satisfaction.

Why we love this

This arrangement respects the lyrical depth of a song that has moved audiences for centuries while making it entirely playable on ukulele without oversimplifying the harmony. The Beloffs have a gift for retaining the emotional core of traditional material; this single-page layout means students can focus on interpretive choices rather than page turns, giving them space to really inhabit the song.

What to expect

"The Water Is Wide" carries an ache beneath its simplicity. The melody unfolds with the inevitability of its own sadness, and the ukulele's warmth adds an unexpected intimacy to the song's meditation on loss and distance. There's something both vulnerable and resilient in how this arrangement sits on the instrument.

Who it's for

This works beautifully for ukulele students who want to explore meaningful folk material with genuine emotional content. It's equally suited for inclusion in a mixed ensemble performance, as a classroom singing song with instrumental accompaniment, or as a solo piece for recitals and informal performances.

How to get the most out of it

  • Let the melody breathe. This is a song about loss and longing, so resist rushing through phrases; use silence and space to deepen the emotional landscape.
  • Pay attention to dynamic shaping across the verse. Small shifts in volume can highlight the song's narrative arc without requiring dramatic gestures.
  • Experiment with fingerstyle approaches to the accompaniment. The arrangement works with multiple picking patterns, giving you flexibility to match your musical instincts.
  • Consider how sustain and resonance shape the overall sound. On ukulele, careful muting and release can be as expressive as any crescendo.

How to use it

Include this alongside other traditional material as a bridge between folk music study and arranged repertoire. It works as a standalone piece in an acoustic or folk-focused concert, or pair it with other Beloff arrangements to demonstrate how a single arranger can maintain coherence across an entire set.

Skills your students will build

  • Interpreting traditional melodies with stylistic sensitivity
  • Managing dynamic control across a simple harmonic framework
  • Balancing accompaniment texture with melodic prominence
  • Sustain and tone production on a small-bodied instrument

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