Water Fountain (arr. Kristopher Fulton): 2-Part Choral Octavo
Arranged by Cristi Cary Miller
Item: 35-PK00444495
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Description
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Additional Details
Publisher:
Hal Leonard
Page Count:
2
SKU:
35-PK00444495
More about this title
About the Artist: Tune-Yards
Tune-Yards is the project of vocalist and multi-instrumentalist Merrill Garbus, an artist known for blending experimental pop with world music influences, rhythmic complexity, and electronic production. Her work draws from folk traditions, art rock, and contemporary songwriting, creating sonic textures that challenge conventional pop structures while remaining emotionally direct and accessible.
Why we love this
Kristopher Fulton's arrangement strips this contemporary song down to its essential melodic and harmonic core, making it surprisingly effective for young singers. The 2-part texture creates space for genuine harmonic independence without overwhelming less experienced choirs, and the song's intrinsic catchiness keeps singers engaged while building confidence in part singing.
What to expect
Lithe and modern, with the kind of infectious melodic persistence that Tune-Yards perfected. The piece carries an understated intensity, balancing minimalist textures with genuine emotional pull, making it feel both intimate and aurally distinct.
Who it's for
This arrangement suits choirs building foundational skills in 2-part singing, from high school freshman ensembles to community choirs exploring contemporary repertoire. Teachers seeking to engage singers with music beyond the classical tradition will find this piece both musically rewarding and accessible.
How to get the most out of it
- Emphasize the rhythmic specificity of Tune-Yards' original concept. Precision in ensemble articulation creates the forward momentum that makes this piece sing.
- Experiment with varied dynamics across verses versus the stronger moments. The piece gains impact through subtle dynamic shaping rather than uniform volume.
- Consider how the two parts interact during key moments of convergence and divergence. Listening to each voice part's independence strengthens the overall blend.
- Work intonation carefully in the upper register. Extended passages in higher tessitura require focused warm-up and breath management from your second part singers.
How to use it
Position this as a bridge between contemporary music and accessible choral literature on a concert celebrating diverse musical traditions. The relatively short page count makes it ideal as a standalone work in a program of contrasting styles, or as a palate cleanser between heavier classical pieces.
Skills your students will build
- Independent part singing in 2-part texture
- Rhythmic precision and ensemble unity
- Reading and performing contemporary vocal writing
- Balance between melodic prominence and harmonic support
- Intonation management in extended upper register passages