Water Fountain (arr. Kristopher Fulton) Sheet Music Preview

Water Fountain (arr. Kristopher Fulton): SATB Choral Octavo

As performed by Tune-Yards / Arranged by Kristopher Fulton

Item: 35-DS00446098

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Additional Details
Publisher: Hal Leonard
Page Count: 16
SKU: 35-DS00446098

More about this title

About the Artist: Tune-Yards

Tune-Yards is the project of Merrill Garbus, a singer and composer known for genre-defying work that blends art rock, world music influences, and experimental pop. Her compositions frequently feature unconventional rhythmic structures, layered vocals, and a commitment to lyrical directness that challenges audiences to think critically. In the choral classroom, Tune-Yards arrangements offer students exposure to contemporary songwriting that refuses easy categorization.

Why we love this

Kristopher Fulton's arrangement transforms this contemporary piece into something singers can sink their teeth into without sacrificing the original's angular charm. The SATB voicing captures the rhythmic vitality of Tune-Yards' work while remaining accessible for high school and collegiate ensembles, making it an excellent choice for directors seeking repertoire that feels genuinely of this moment.

What to expect

Propulsive and intricate, with moments of stark simplicity cutting through busier passages. The arrangement captures the hypnotic quality of the original while giving each voice line something interesting to navigate, creating a piece that feels alive in rehearsal and concert alike.

Who it's for

Choirs comfortable with contemporary music and willing to embrace a composer whose aesthetic sits outside traditional boundaries. High school and college ensembles with decent rhythmic independence will find this engaging; it rewards singers who can think rhythmically across bar lines rather than simply counting beats.

How to get the most out of it

  • Pay close attention to rhythm section precision; the piece lives in its syncopated moments, so ensemble lock is essential
  • Tune the vocal lines carefully through the harmonic clusters, especially where parts move in thirds
  • Emphasize dynamic contrast to prevent the middle sections from losing momentum
  • Consider using the recorded accompaniment to develop internal time awareness before rehearsing without it

How to use it

This works beautifully on a contemporary music concert or as a centerpiece for a program exploring 21st-century choral writing. Place it alongside other modern arrangements to demonstrate how today's composers are approaching choral color and rhythm, or use it as a standalone feature that shows your ensemble's range beyond traditional repertoire.

Skills your students will build

  • Syncopated rhythm reading across multiple vocal lines
  • Precision in ensemble singing without the support of obvious harmonic resolution
  • Navigating contemporary compositional language and unconventional phrase structures
  • Lyrical clarity and projection in contemporary vocal music
  • Listening skills for maintaining rhythmic independence within a complex texture

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