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Warriors of Beijing: Concert Band Conductor Score

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Warriors of Beijing: Concert Band Conductor Score

By Rob Grice

Grade: 1.5 (Easy)

Item: 00-31691S

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Description
After traveling to Beijing, China in the summer of 2008, the composer was inspired to create a concert work that depicts the ancient battles of Qin Shi Huang, the first emperor of China in 221 BC, and his warriors. This Emperor's reign included unification, the building of the Great Wall and his endless search for immortality. Qin Shi Huang had over 8000 Terracotta Warriors buried in front of his tomb in order to have a strong underground army to defend him in the afterlife.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081343969
SKU: 00-31691S

More about this title

About the Composer: Rob Grice

Rob Grice

Rob Grice has built a reputation as a composer whose works appear regularly on state, national, and international contest lists, performed in venues ranging from Carnegie Hall to the Midwest Clinic and across Australia, Canada, Europe, and Japan. His approach to composition is rooted in classroom experience: he has taught at elementary and secondary schools as well as community college, bringing direct knowledge of what young musicians need to engage with and master.

Recognized as Secondary Teacher of the Year in Enterprise, Alabama, and recipient of WDHN-TV18's Golden Apple Award, Grice combines his work as a guest conductor, clinician, and adjudicator with an active composing schedule. His strength lies in writing music that is pedagogically sound without sacrificing musical substance, a quality that has made his young band compositions especially popular with educators.

Why we love this

Grice captures vivid storytelling at an accessible Grade 1.5 level, letting young bands experience dramatic character and historical imagery without technical overwhelm. The concert band writing reflects his deep understanding of what early high school ensembles can handle musically and physically, so students stay engaged rather than struggling through needless complexity.

What to expect

Warriors of Beijing unfolds with the grandeur of ancient China, evoking both the power of imperial armies and the mystery surrounding Qin Shi Huang's quest for immortality. The music builds dramatic energy while remaining clear and playable, letting young musicians feel the impact of strong compositional storytelling without excessive technical burden.

Who it's for

Grades 9-10 concert bands, and strong Grade 8 ensembles ready for their first programmatic work at a moderate difficulty level. Directors seeking repertoire that combines historical interest with manageable technical demands will find this a natural choice for concert and festival programming.

How to get the most out of it

  • Honor the programmatic content by establishing character in rehearsal. Help students visualize the terracotta warriors and ancient battles so they understand the mood they're creating, not just the notes they're playing.
  • Balance the band's sound carefully in passages where melody moves between sections. Early concert bands often overplay their parts; use this as an opportunity to teach blend and support rather than solo prominence.
  • Keep the tempo steady and confident throughout. Young bands often rush during energetic sections; anchoring the ensemble with a solid, grounded pulse will let the descriptive writing shine.
  • Mark key entrances and section transitions clearly in parts so students stay together and build confidence when following the conductor's interpretation of the composer's pacing.

How to use it

Program this as a centerpiece of a concert exploring world cultures or historical themes, pairing it with other character pieces or folk-inspired works to create a thematic arc. Its eight-page length and straightforward performance demands make it ideal for festival competitions where you want strong musical and narrative impact within a single, well-crafted work.

Skills your students will build

  • Sustaining character and dramatic pacing across a complete concert work
  • Balancing sectional melody and accompaniment in a concert band texture
  • Responding to programmatic music through focused rehearsal and performance intent
  • Technical control in moderate-tempo passages with varied dynamics
  • Ensemble unity and entrances in multi-section transitions

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