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Warner Bros. Jazz Combo Collection: Trombone (4th Part) Book

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Warner Bros. Jazz Combo Collection Cover Image

Warner Bros. Jazz Combo Collection: Trombone (4th Part) Book

Arr. Dave Wolpe

Level: Intermediate

Item: 00-SPBKM01004

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Description
The Warner Bros. Jazz Combo Collection offers ten great songs arranged by one of the finest arrangers in the music business, Dave Wolpe. This collection is the perfect choice for a smaller ensemble with four horns and rhythm section, a total of eight players. Dave Wolpe arranged varied styles and tempos: swing, Latin, rock, waltz, pop, ballad, and holiday to provide flexibility in all musical settings. Titles are: When the Saints Go Marching In * Adios Muchachos * American Pie * Emily * Lullaby of Broadway * Proud Mary * Sophisticated Lady * Winter Wonderland * Peter Gunn * Mack the Knife.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-0631-1
ISBN13: 978-0-7579-0631-2
UPC: 654979020165
SKU: 00-SPBKM01004
Instrumentation: Trombone (4th Part)

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his arranging career in 1965 and has since become one of the most prolific voices in big band music. His work with the Glenn Miller Orchestra spans decades, and he co-arranged the platinum-selling album In the Christmas Mood, a project that showcased his mastery of both classic swing and holiday repertoire.

Beyond the Glenn Miller organization, Wolpe's arrangements have graced the bandstands of Ray Anthony, Lawrence Welk, and Les Brown, legendary orchestras known for their exacting standards and audience-focused programming. His career reflects a deep commitment to writing music that serves both the ensemble and the listener.

Why we love this

Wolpe's writing balances accessibility with genuine jazz vocabulary. Four horns plus rhythm section is a practical instrumentation for school and community ensembles, and these arrangements deliver the full swing sound without requiring a large section. The stylistic variety across the book means you can program this collection across the entire year, pulling songs that fit your concert themes rather than feeling locked into a single mood or tempo.

What to expect

This collection spans the full emotional and stylistic landscape of American music. You move from New Orleans street parades to Latin grooves, from rock-influenced energy to intimate ballads, all written with the clarity and craft that defines professional big band arranging. Each tune feels fresh and purposeful, never generic.

Who it's for

Intermediate jazz combos with four horns and rhythm section will find exactly what they need in this book. High school jazz bands, college community ensembles, and semi-professional groups can all pull from this collection. Trombonists who read fluently in jazz and can handle syncopated figures will thrive with these arrangements.

How to get the most out of it

  • Pay close attention to the rhythmic figures written for the trombone line; Wolpe often gives the fourth part melodic interest rather than pure accompaniment, so articulation and phrasing matter as much as pitch accuracy.
  • In the faster swing tunes, lock the time feel with the rhythm section early in rehearsal. The trombone's role in establishing groove is just as critical here as it is in any jazz context.
  • Balance your sound against the other three horns. Listen across the brass section to ensure the fourth part sits in the texture rather than pushing through or disappearing.

How to use it

Use individual songs from this collection to build concert programs around different themes or seasons. Winter Wonderland and Lullaby of Broadway work naturally in holiday settings; American Pie and Proud Mary fit rock or Americana programming; the standards like Sophisticated Lady and Mack the Knife serve as elegant concert closer options. Because the arranging quality is consistent throughout, you can pull three or four tunes without worrying about musical coherence.

Skills your students will build

  • Reading jazz articulation and phrasing conventions
  • Balancing within a four-horn brass section
  • Playing syncopated rhythms in swing and Latin contexts
  • Responding to and locking with rhythm section groove
  • Adapting to varied tempos and song forms across a single collection

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