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Warner Bros. Combo Classics from the Big Band Era: Bass Clef Instruments Book

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Warner Bros. Combo Classics from the Big Band Era Cover Image

Warner Bros. Combo Classics from the Big Band Era: Bass Clef Instruments Book

Arr. Jack Bullock

Item: 00-WBJB9304

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Description
Wonderful tunes from Count Basie, Erroll Garner, George Gershwin, Neal Hefti, Cole Porter, Hoagy Carmichael, Kurt Weill and others. Can be played as solos, duets or trios. Includes: As Time Goes By * Jumpin' at the Woodside * Li'l Darlin' * Mack the Knife * Misty * 'Round Midnight * 'S Wonderful * Skylark * Sweet Georgia Brown.

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Additional Details
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7579-9112-2
ISBN13: 978-0-7579-9112-7
UPC: 029156075984
SKU: 00-WBJB9304
Instrumentation: Bass Clef Instruments

More about this title

About the Arranger: Jack Bullock

Jack Bullock

Jack Bullock's career spans performance, composition, arrangement, and higher education. A trumpet player who performed with the Miami Philharmonic Orchestra, Miami Opera Company, and touring dance bands, Bullock brings practical ensemble experience to every project he arranges. He holds degrees through the doctoral level in music education and has published over 600 works across concert band, orchestra, jazz ensemble, and marching band.

For two decades, Bullock taught instrumental music in public schools and served as assistant band director at Ithaca College's School of Music, where he also chaired the Music Education Department. His pedagogical expertise shaped the Belwin 21st Century Band Method and contributed arrangements to Music Expressions, Alfred's comprehensive school curriculum. A longtime ASCAP member, Bullock has conducted clinics and workshops throughout the United States, Canada, and England.

Why we love this

Bullock selected repertoire that genuinely swings without demanding soloists to navigate overly complex harmony or breakneck tempos. The flexibility to perform these titles as solos, duets, or trios means you can deploy them across multiple rehearsals and skill levels, and every student gets a chance to voice the melody.

What to expect

These are the tunes that defined mid-twentieth-century cool sophistication. Whether you're playing Basie's shuffle groove or Gershwin's urbane melody, the arrangements pulse with relaxed confidence and the kind of melodic generosity that reminds you why these songs have endured.

Who it's for

Bass clef players in jazz ensembles, combo classes, and small-group settings who need accessible big band repertoire. Students preparing for jazz festival sight-reading competitions or ensemble contests benefit from the range of difficulty and the mix of tempos represented here.

How to get the most out of it

  • Balance the walking bass line with the melody; these tunes live in the space between comping and soloing, so neither part should disappear into accompaniment
  • Nail the articulation of each standard's characteristic phrasing; count-off with the style of the original arrangement in mind rather than defaulting to straight eighth notes
  • Let the trio arrangements breathe when you perform them; resist the urge to lock everything metrically rigid, since swing feel requires subtle push and pull

How to use it

Slot individual tunes throughout the year as warmups or closer pieces before tackling larger ensemble works. A concert built entirely around three or four selections from this collection speaks directly to audiences who grew up with these standards, while giving your ensemble's jazz players experience with legitimate big band repertoire.

Skills your students will build

  • Swing feel and phrasing in context (reading versus feeling the rhythm)
  • Walking bass lines with harmonic awareness
  • Melody-accompaniment interaction in small ensemble settings
  • Stylistic interpretation of mid-century jazz vocabulary
  • Part independence and listening across trio and duo textures

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