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Warm-ups and Beyond - Tenor Saxophone: Tenor Saxophone Method Book

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Warm-ups and Beyond - Tenor Saxophone Cover Image

Warm-ups and Beyond - Tenor Saxophone: Tenor Saxophone Method Book

By Timothy Loest, Kevin Lepper

Item: 98-BB203TSX

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Description
Veteran middle school band director Timothy Loest has drawn from 18 years of experience to create an all-encompassing warm-up book appropriate for elementary, middle, and smaller high school programs. Its logical sequence addresses technical issues at a variety of levels. In addition to a wealth of chorales and scales, the book incorporates articulation and flexibility studies, and an in-depth glossary of musical terms, providing answers to questions posed by younger musicians. Percussion educator Kevin Lepper has added a wealth of percussion exercises that will enhance the technique of individual percussionists while developing the overall sound of your ensemble. Warm-ups and Beyond is an ideal resource for every developing library.

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Additional Details
Series: Warm-Ups and Beyond
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56-939911-5
ISBN13: 978-1-56-939911-8
UPC: 674398211791
SKU: 98-BB203TSX

More about this title

About the Composer: Timothy Loest

Timothy Loest

Timothy Loest has spent over thirty years in the middle school classroom, where his deep understanding of how young musicians develop informs everything he writes. His compositions and methods are performed and taught across the country; his work Cloud Gate drew an audience of 5,000 at Chicago's Millennium Park in 2017, and that same year he received the Illinois Grade School Music Association's highest honor, the Cloyd Myers Memorial Award for Excellence in Music Education.

Beyond the classroom, Loest's music has appeared on network television including The Tonight Show Starring Jimmy Fallon and Good Morning America. He holds degrees from Illinois State University and Northwestern University, maintains ASCAP membership, and founded Fanfare Music Press in 2022 to publish high-quality band compositions and arrangements. He continues to accept commissions and teach at the middle school level.

Why we love this

A director who spent eighteen years building warm-up routines knows exactly what actually works in rehearsal. Loest sequences the material so students encounter one technical challenge at a time, meaning you're not fighting multiple problems simultaneously. The addition of Kevin Lepper's percussion exercises means your entire section improves together, not just the wind players.

What to expect

Purposeful and grounded. Every warm-up has a reason; nothing feels like busy work. The chorales breathe and settle the mind while the technical studies build real facility.

Who it's for

Elementary through smaller high school programs that want warm-ups tailored to developing musicians rather than generic exercises. Teachers and directors who appreciate a logical progression built on classroom experience rather than tradition alone.

How to get the most out of it

  • Start each rehearsal with the same warm-up sequence for at least two weeks so students internalize the patterns and the routine itself becomes efficient.
  • Use the articulation studies to diagnose specific tonguing issues rather than addressing them broadly; isolate the exact problem before moving forward.
  • Have your percussion section work through the exercises independently before ensemble rehearsals so they're not slowing down the whole group's focus.
  • Return to the chorales when energy flags late in rehearsal; they reset the ensemble's listening and provide a mental break without losing instructional value.

How to use it

Make this your daily foundation for the entire year rather than rotating through different warm-up books. The glossary makes it a reference students can consult independently, reducing your need to re-explain terms throughout the season. Assign the flexibility and articulation studies as homework so rehearsal time focuses on ensemble balance and phrasing.

Skills your students will build

  • Long tones and breath control across the instrument's range
  • Consistent articulation and tonguing clarity
  • Flexibility and intonation accuracy
  • Scale and interval recognition in multiple keys
  • Musical terminology and notation literacy
  • Listening and sectional balance (saxophone and percussion together)

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