War March of the Priests Cover Image

War March of the Priests: Concert Band Conductor Score & Parts

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War March of the Priests Cover Image

War March of the Priests: Concert Band Conductor Score & Parts

By Felix Mendelssohn / arr. Todd Stalter

Grade: 1.5 (Easy)

Item: 00-39612

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Description
Although more famous for his incidental music to A Midsummer Night's Dream, Mendelssohn was commissioned by the King of Prussia to provide music for Racine's religious drama Athalie, which includes the "War March of the Priests." The march tune draws its energy from a repeating triplet figure in the introduction, and features a nice legato contrasting section. A great opportunity to teach style and nuance! (2:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, War March of the Priests: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 120
UPC: 038081454757
SKU: 00-39612

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) was a German composer whose gift for melody and orchestration defined the early Romantic era. Though he wrote four symphonies, numerous concertos, and the beloved overture to A Midsummer Night's Dream, Mendelssohn also composed skillfully for the stage, creating incidental music that elevated dramatic works through instrumental color and emotional clarity. His music combines formal rigor with Romantic warmth, making it especially valuable for student musicians learning to balance structure with expressive depth.

Beyond composition, Mendelssohn's legacy includes his work as a conductor and educator who championed both his own music and that of Bach and Beethoven during a time when these composers were undervalued. His commitment to musical excellence and his ability to write idiomatically for different ensembles made him influential across Europe. For band and orchestra programs, his works remain touchstones for understanding how classical forms can speak to Romantic sensibilities.

Why we love this

Mendelssohn's dramatic instinct comes through in every bar of this march. The opening triplet figure provides rhythmic vitality that holds attention without relying on technical fireworks, and the legato contrasting section gives your band room to shape phrase lines and demonstrate musical maturity. At Grade 1.5, this is a rare opportunity to program genuine orchestral/dramatic music while keeping accessibility high.

What to expect

Mendelssohn's march strides forward with Romantic urgency, driven by the persistent triplet pulse that catches the listener immediately. When the legato section arrives, the emotional landscape opens into something more lyrical and contemplative, creating a satisfying dialogue between martial energy and sustained expression that feels both dramatic and genuine.

Who it's for

This arrangement is designed for developing concert bands at the early intermediate level, including middle school and beginning high school programs. Directors seeking repertoire that teaches musical style and phrasing without overwhelming younger players will find this a strong fit, as the piece rewards attention to character while remaining straightforward to manage.

How to get the most out of it

  • Shape the triplet introduction with clear articulation and forward momentum. The figure should feel energetic but controlled, establishing the march's character without rushing.
  • Let the contrasting legato section breathe. This is where expressive playing pays off; encourage players to listen across sections and sustain phrase arcs rather than stopping at bar lines.
  • Balance the march melody against accompanying voices. The tune can sing out, but inner parts should support with clarity and blend, especially in the full band sections.
  • Use dynamic contrast to highlight the shift between the energetic march material and the legato section. This structural distinction makes the form audible and musically interesting.

How to use it

This works as an excellent centerpiece for a concert built around Romantic era works, especially if paired with lighter concert pieces or vocal selections. The 2:45 duration and dramatic arc also make it suitable for contest or festival programs where you want to demonstrate musicianship and style interpretation. Consider programming it after a lighter opener to let it establish the band's interpretive capabilities.

Skills your students will build

  • Articulation and style contrast (triplet energy versus legato phrasing)
  • Balance and blend across sections during full band passages
  • Phrase shaping and expressive playing in contrasting sections
  • Understanding dramatic arc and structural form in Romantic music
  • Dynamic control and ensemble listening

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