Wanna Be Startin' Somethin': SATB Choral Octavo

Mark Brymer's arrangement captures the driving energy of the original while keeping the part writing accessible for developing singers. The one-page format makes this ideal for quick additions to concert programs or for groups looking to inject contemporary pop energy into their season without major time investment.

Funky, propulsive, and instantly recognizable. The arrangement maintains the original's infectious groove while channeling it through four-part harmony, creating something that feels both energetic and ensemble-focused. Singers feel the momentum from measure one.

Intermediate to advanced high school and college choirs seeking contemporary repertoire that connects with student singers. This works equally well for concert programs, pops concerts, or any setting where you want to bridge classical choral training with music students genuinely love.

• Lock the rhythmic precision from the start. The syncopated figures that define this track need confidence and clarity, so establish the groove early in rehearsals before adding expressive layers.
• Balance the bass line and drum kit simulation in the men's section. These voices carry the instrumental foundation of the arrangement, so ensure they lock together rather than compete.
• Lean into the percussive articulation. Crisp consonants and rhythmic precision on repeated syllables will bring out the funk feel Brymer baked into the voicing.
• Push the women's section to sit on top energetically. Sopranos and altos should feel forward in the mix without losing blend, especially on the memorable hook lines.

Pair this with other contemporary pop or rock arrangements to build a themed concert section, or use it as an opener to grab attention and energy at the start of a program. The single-page length makes it perfect for benefit concerts, sing-alongs, or special events where you want immediate impact.

• Syncopated rhythm reading and execution
• Funk and contemporary pop style interpretation
• Rhythmic precision in ensemble settings
• Managing independent melodic lines while maintaining groove