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Walk Together, Children: SSAA, <i>a cappella</i> Choral Octavo

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Walk Together, Children Cover Image

Walk Together, Children: SSAA, a cappella Choral Octavo

Traditional Spiritual / arr. Robert DeCormier

Item: 00-41906

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Description
With the opportunity to feature several soloists, this arrangement is filled with inspiration and great energy from the beginning to the end. "There's a great camp meetin' in the Promised Land!"

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 12
UPC: 038081469867
SKU: 00-41906

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier's career bridged classical training and American vernacular music. A Juilliard graduate, he spent seventeen years as music director of the New York Choral Society, served as associate professor of conducting at the Eastman School of Music, and directed the Robert De Cormier Singers on concert tours across the United States and Canada. He also worked as conductor and arranger for Harry Belafonte and served as music director for Peter, Paul and Mary from 1978 until 2010.

Beyond his conducting work, DeCormier established himself as a distinctive arranger of spirituals, folk songs, and choral works. In 1993, he helped establish the Vermont Symphony Orchestra Chorus, and in 2000 he founded Counterpoint, a professional vocal ensemble that recorded extensively and brought workshops and concerts to high school choirs throughout New England and beyond. His arrangements and compositions span choral, Broadway, and ballet scores. Recognition for his contributions includes the Vermont Governor's Award for Excellence in the Arts (2002) and a Lifetime Achievement Award from the New England Choral Arts Foundation (2006).

Why we love this

DeCormier's arrangement preserves the spiritual's infectious energy while creating genuine opportunities for soloists to shine. The writing sits comfortably for SSAA voices, and the built-in flexibility means you can cast soloists from singers at different levels without compromising the arrangement's impact.

What to expect

From the opening phrase, this arrangement radiates warmth and anticipation. The text itself promises gathering and celebration, and DeCormier's writing embraces that promise with parts that interweave, call and respond, and swell with unmistakable hope.

Who it's for

Choirs with four voice parts who want to program a spiritually rooted piece with star power built in. This works equally well for a group building community through singing or one preparing for a festival where soloist features make an impression.

How to get the most out of it

  • Invest time in the solo passages. This arrangement gives you multiple chances to feature strong voices, so let them breathe and own their moment rather than rushing to return to the full ensemble.
  • Keep the piece grounded in its spiritual roots. The "camp meetin'" energy comes from communal joy, not frantic pace. Let the natural swing and inflection of the text guide your tempo.
  • Balance blend with clarity in the SSAA voicing. These chords can muddy if voices don't maintain line clarity, especially in the lower voices who anchor the harmony.

How to use it

Program this as a concert centerpiece or closing number where the energy and soloist opportunities will feel earned by what comes before. It also performs well in a festival setting where the piece's clear structure and emotional directness will read immediately to an audience.

Skills your students will build

  • Singing a cappella with accurate intonation across SSAA voicing
  • Leading and accompanying as soloists within an ensemble texture
  • Interpreting spiritual style and understanding its musical and cultural context
  • Balancing individual voice lines while maintaining harmonic blend

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