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Walk in the Kingdom: SSAB, <i>a cappella</i> Choral Octavo

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Walk in the Kingdom Cover Image

Walk in the Kingdom: SSAB, a cappella Choral Octavo

Words and music by Sally K. Albrecht

Item: 00-32959

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Description
Set in a minor key with a walking tempo, this a cappella selection builds as we walk, sing, then finally shout in the kingdom. Features touches of the familiar spiritual "Live-a Humble."

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081358673
SKU: 00-32959

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at Alfred Music, then as a prolific composer and conductor in her own right. With more than 600 published choral works and 75 larger musicals and songbooks in print, she has become known especially for pieces that integrate movement and physicality into choral performance. She has received the ASCAP Special Music Award annually since 1987 and conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's gift for building emotional momentum shows clearly here. The piece moves intentionally from walking to singing to shouting, giving your singers a musical arc that feels both spiritual and dynamic. The minor key setting and integration of the familiar spiritual 'Live-a Humble' ground the work in tradition while the a cappella texture demands rhythmic unity and vocal presence from every part.

What to expect

The piece carries the quiet dignity of a spiritual procession that gradually finds its voice and power. Beginning in a minor key with deliberate, measured motion, it grows warmer and more celebratory as it unfolds, culminating in a shout of joy and affirmation. There is both reverence and vitality here.

Who it's for

This work suits intermediate to advancing choirs with solid four-part blend and steady intonation skills. It works equally well for community, church, school, and honor choir settings where singers can handle the demands of a cappella singing and appreciate the spiritual content.

How to get the most out of it

  • Establish a steady, grounded pulse from the beginning. The 'walking' quality depends on rhythmic confidence in all four parts, particularly the bass line.
  • Shape the textural build carefully across the form. As the piece intensifies from walking to singing to shouting, let dynamics rise gradually rather than jumping immediately to forte.
  • Balance the SSAB voicing so the soprano and alto sections don't overshadow the soprano and bass foundation. In a cappella work, every part carries harmonic weight.
  • Highlight the spiritual reference when it appears. Singers will connect more deeply if they recognize the familiar material woven into Albrecht's original composition.

How to use it

Program this as a centerpiece for a spirituals-focused concert or as part of a sacred music program where you want to show choral growth and dynamic range. It pairs naturally with other spirituals or contemporary sacred works, and its a cappella format makes it versatile for worship settings, festivals, or special occasions where you want to highlight ensemble unity.

Skills your students will build

  • Singing in tune without instrumental support, developing ear independence
  • Maintaining steady pulse and rhythmic precision across all voice parts
  • Building dynamic contrast and textural layers within an a cappella setting
  • Balancing four-part voicing and understanding harmonic function in minor key
  • Connecting spiritual tradition with contemporary choral artistry

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