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Wake Me Up Before You Go-Go: Marching Band Conductor Score

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Wake Me Up Before You Go-Go Cover Image

Wake Me Up Before You Go-Go: Marching Band Conductor Score

Words and music by George Michael / arr. Nick Baratta

Grade: 3 (Medium)

Item: 00-31655S

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Description
This great rock shuffle is a tune that everyone will recognize! Nick Baratta has taken this classic hit from George Michael and crafted a hot new arrangement. (1:34)

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081350851
SKU: 00-31655S

More about this title

About the Composer: George Michael

George Michael (1963-2016) was a British-Cypriot pop icon whose instinctive melodic gift and sophisticated production sensibility shaped 1980s and 1990s popular music. Rising to fame as half of Wham! before launching a solo career, he demonstrated an uncommon ability to write hooks that lodged themselves instantly in listeners' ears while maintaining genuine harmonic complexity underneath the accessibility. His work crossed genre boundaries and influenced generations of musicians across multiple styles.

Why we love this

Nick Baratta's arrangement channels the infectious energy of this worldwide hit without sacrificing the clarity and balance that marching bands need in their field show music. The rock shuffle groove translates beautifully to the marching idiom, giving your ensemble an immediately recognizable tune that audiences will light up for while your students engage with contemporary pop material that feels current and fun.

What to expect

Energetic and propulsive, with the kind of infectious groove that makes audiences tap along instantly. The arrangement captures the sparkle and forward momentum of the original hit while maintaining a driving, percussive quality that plays to the marching band idiom's strengths.

Who it's for

Marching band conductors programming Grade 3 fields shows and indoor competitions, or building a repertoire that connects with students through contemporary music they actually know. This arrangement works equally well for groups seeking an accessible feature tune that doesn't require advanced technical demands from all sections.

How to get the most out of it

  • Lock the backbeat with your percussion section. The shuffle groove depends entirely on crisp, confident snare work on the 'and' of beat two, so isolate that pocket before bringing in the full band.
  • Keep the tempo steady at the marked tempo marking (reference the score). This tune thrives on groove consistency; any slowing or dragging will flatten the energy that makes it work.
  • Balance the melody line so the hook cuts through without the supporting voices fading into texture. This isn't a thick chorale sound; it's a pop arrangement where the top voice needs to sing out.
  • Shape phrases with slight dynamic swell rather than sudden accent. The rock shuffle aesthetic calls for smooth, flowing momentum through eight- and sixteen-bar sections.

How to use it

This works beautifully as a high-energy opener that establishes the band's personality early in a show, or as a crowd-pleasing closer that sends audiences out smiling. The recognizable tune and uptempo energy pair well alongside more substantial classical or contemporary pieces, giving your program a strategic emotional beat.

Skills your students will build

  • Executing rock shuffle rhythms with consistent subdivision
  • Balancing melodic clarity against supporting harmonic textures
  • Maintaining steady groove under dynamic phrasing
  • Coordinating ensemble entrances in a pop-influenced context

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