Waka Waka (This Time For Africa) - The Official 2010 FIFA World Cup Song Sheet Music Preview

Waka Waka (This Time For Africa) - The Official 2010 FIFA World Cup Song: 2-Part Choral Octavo

By Shakira / By John Hill / By Emile Kojidie / By Dooh Belly Eugene Victor / By Za Bell Jean Paul / By Zolani Mahola / Arranged by Mark Brymer

Item: 35-DS00161053

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00161053

More about this title

About the Composer: Shakira

Shakira is a Colombian singer, songwriter, and performer whose career spans multiple decades and genres. Her global influence extends far beyond pop music; her work has introduced millions of listeners to Latin rhythms, bilingual songwriting, and culturally rich production.

Why we love this

This arrangement captures the infectious energy of a global phenomenon while remaining accessible for developing choirs. The 2-part voicing keeps things manageable, but the rhythmic drive and world music elements give singers something genuinely engaging to sink their teeth into, not just a novelty song.

What to expect

The piece radiates celebration and collective energy. Spirited rhythmic momentum drives throughout, with moments of call-and-response that invite participation and joy. The arrangement honors the original's world music roots while remaining vibrant and accessible.

Who it's for

This arrangement works best for middle school through adult choirs seeking contemporary repertoire that resonates with audiences. It's also valuable for programs wanting to celebrate global music and introduce students to non-Western musical traditions through a song they already know and love.

How to get the most out of it

  • Lock the hip-hop influenced rhythmic figures early in rehearsal. These syncopated patterns are the backbone of the arrangement, and precision here will make everything else fall into place.
  • Emphasize the African call-and-response sections; they're built into the harmonic structure and deserve rhythmic clarity and vocal independence between parts.
  • Layer in the percussion and rhythmic accompaniment once your singers are secure with the melody. The groove needs space to breathe before adding instrumental texture.
  • Consider your choir's comfort with the contemporary vocal style this piece demands. It's different from classical phrasing, and that stylistic awareness will help singers commit to the character.

How to use it

This works wonderfully in a pops or contemporary concert where you want genuine audience connection. You might also pair it with other world music repertoire to build a thematic program, or use it as a finale to showcase your choir's versatility and ability to command contemporary styles.

Skills your students will build

  • Syncopated rhythm reading in popular music contexts
  • Call-and-response execution with clear part independence
  • Contemporary vocal styling and rhythmic precision
  • Cultural awareness through performance of African-influenced composition

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