Vocalise, Op. 34, No. 14 in E minor [composer 1919's transcription] Cover Image

Vocalise, Op. 34, No. 14 in E minor [composer 1919's transcription]: Full Orchestra, Solo Strings with Ensemble Conductor Score & Parts

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Vocalise, Op. 34, No. 14 in E minor [composer 1919's transcription] Cover Image
Vocalise, Op. 34, No. 14 in E minor [composer 1919's transcription]: Full Orchestra, Solo Strings with Ensemble Conductor Score & Parts

Vocalise, Op. 34, No. 14 in E minor [composer 1919's transcription]: Full Orchestra, Solo Strings with Ensemble Conductor Score & Parts

By Sergei Rachmaninoff / arr. Clinton F. Nieweg

Item: 36-A806390
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Description
Sergei Rachmaninoff's (1873-1943) "Vocalise" was originally written in 1912 (revised in 1915) as the final movement in his 14 ROMANCES, Op. 34, for high voice with piano accompaniment. The work has been transcribed for various solo instruments and ensembles since its original publication, including two by the composer himself: a 1916 version for soprano and orchestra and this 1919 version for violin soloists and orchestra. Instrumentation: 2.2+EH.2.2: 2.0.0.0: Str (8-4.4-7-6-5 in set).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
UPC: 735816423827
SKU: 36-A806390
Instrumentation: Full Orchestra, Solo Strings with Ensemble

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873-1943) stands among the last great Romantic composers, bridging 19th-century lyricism with 20th-century modernism. A virtuoso pianist and conductor as well as composer, he wrote with profound understanding of the human voice and string instruments, crafting melodies of extraordinary beauty and emotional depth that remain central to the concert repertoire.

Rachmaninoff's orchestral and vocal works demand both technical mastery and interpretive maturity from performers. His gift for writing singable, soaring lines translates brilliantly across instrumental media, which is why his transcriptions and arrangements have endured for over a century. Teachers and conductors return repeatedly to his music for its combination of accessibility and artistic substance.

Why we love this

Rachmaninoff sanctioned this 1919 orchestration himself, giving it a composer's authority that later transcriptions cannot claim. The arrangement preserves the work's soul while showcasing the full palette of a concert orchestra, and the flexible solo string writing allows you to feature soloists of varying experience levels within the same framework. For orchestras seeking a showpiece that combines emotional directness with genuine sophistication, this version delivers on every front.

What to expect

The piece unfolds like a sustained prayer, built from a single transcendent melody that hovers above rich, shifting harmonies. There is an almost hypnotic quality to its unfolding; without the anchor of text or traditional formal landmarks, you experience the architecture of pure emotion and color.

Who it's for

Orchestras with strong string sections and skilled string soloists who want to perform a work of undeniable artistry without requiring the commitment of a full vocal soloist. This arrangement works equally well for programs that feature instrumental chamber soloists or for conductors looking to showcase the depth of their first-chair players.

How to get the most out of it

  • Balance the solo string voices carefully against the orchestra; they should sing above the accompaniment without straining, never dominating through force.
  • Take time with the fermatas and allow the harmonic shifts to register with the audience. Rachmaninoff's orchestration creates natural breathing points that anchor the form.
  • Encourage string soloists to shape phrases with a singer's legato and rubato. The original vocal line demands that kind of vocal phrasing even when played on instruments.
  • Tune the woodwind doublings and horn entries with special attention; their gentle commentary on the main melody will blur if intonation is imprecise.

How to use it

Position this as a centerpiece for a concert devoted to Romantic string writing or as an interlude between larger symphonic works. Its modest length and emotional intensity make it ideal for memorial services, special occasions, or as the opening movement of a program featuring chamber soloists drawn from your orchestra.

Skills your students will build

  • Sustaining long melodic lines with consistent tone and vibrato across multiple phrases
  • Balancing solo voice against orchestral accompaniment without loss of clarity
  • Responding to conductor direction for rubato, fermata placement, and harmonic shaping
  • Coordinating intonation across multiple string sections doubling a single melody
  • Understanding orchestral color and how woodwind and brass entries reshape the harmonic landscape

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