Viviane, Op. 5 Cover Image

Viviane, Op. 5: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

$135.00 USD
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Viviane, Op. 5 Cover Image

Viviane, Op. 5: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

By Ernest Chausson

Item: 36-A532402

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Description
Ernest Chausson (1855-1899) composed Viviane, Op. 5, in 1882 as a symphonic poem inspired by the Arthurian legend of the enchantress Viviane, also known as the Lady of the Lake. The music portrays Viviane's enchantment of the knight Merlin. Premiered in Paris in 1883, Viviane was one of Chausson's earliest orchestral successes and helped establish him as an important figure in French musical life during the late nineteenth century. Today, the work remains a compelling example of French Romantic orchestral writing. Instrumentation: 3(3rd d.Picc).2.2.3: 4.4.3.1: Timp.Perc(2-3): 2Hp: Str (9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
UPC: 604634063198
SKU: 36-A532402
Instrumentation: 3(3rd d.Picc).2.2.3: 4.4.3.1: Timp.Perc(2-3): 2Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Ernest Chausson

Ernest Chausson (1855–1899) bridged the Romantic tradition and modern French orchestral idiom during a period of remarkable creative ferment in Paris. Though his career was cut short by a cycling accident at age 44, Chausson left behind a catalog of chamber and orchestral works that earned him respect among contemporaries like Debussy and Fauré. His early symphonic poems, including Viviane, showcase his gift for orchestral color and narrative writing without surrendering structural coherence.

Chausson studied with Massenet and Indy, absorbing the harmonic language of Wagner and Liszt while maintaining his distinctly French sensibility. Viviane and similar works from his Op. 1–10 period established him as a serious orchestral voice before his premature death left many projects incomplete.

Why we love this

Viviane delivers sophisticated orchestral writing that feels genuinely theatrical without relying on bombast or obvious effects. The work's modest length and narrative arc make it manageable for ambitious orchestral programs while its harmonic language and orchestration demand real maturity from your musicians. You get a legitimate French Romantic masterwork that sits comfortably between the familiar and the exploratory.

What to expect

A shimmering, ethereal journey through enchantment and longing. The orchestration glimmers with delicate instrumental combinations while underlying harmonic motion creates a subtle forward momentum, evoking both the magical otherworldliness of Viviane's realm and the tension in her connection to Merlin.

Who it's for

Orchestras and concert bands with intermediate to advanced reading skills and access to harp players. This work suits ensembles ready to move beyond standard war horses into the late Romantic French repertoire while maintaining pedagogical rigor.

How to get the most out of it

  • Balance the harp parts carefully; they anchor the harmonic foundation but must never overwhelm the orchestral fabric. Consider the harp as an extension of the strings' color palette rather than a solo instrument.
  • Shape the principal melodic line through the first violins with long, singing phrases that honor the vocal quality of Chausson's orchestration. Avoid chopping the line into small gestures.
  • Coordinate the percussion (timpani and other pitched instruments) with the brass section; they often punctuate harmonic arrivals, so precision here clarifies the structure for listeners.
  • Allow the woodwind solos their transparency, particularly in the middle sections. These passages need air and space to register their poetic intent.

How to use it

Pair Viviane with other French Romantic works for a focused concert theme, or use it as a sophisticated interlude between larger, more dramatic pieces. The work's moderate length and character make it ideal for an all-French or all-Romantic program celebrating orchestral color and harmonic innovation.

Skills your students will build

  • Phrasing extended melodic lines across multiple phrases and harmonic arrivals
  • Balancing harp and pitched percussion with orchestral strings and winds
  • Reading and executing late Romantic harmony, particularly chromatic voice leading
  • Coordinating complex woodwind solos with sustained harmonic background
  • Responding to subtle dynamic and tempo shifts that shape narrative arc

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