Viva La Vida: String Orchestra Conductor Score & Parts
By Chris Martin / By Guy Berryman / By Jon Buckland / By Will Champion / As performed by Coldplay / Arranged by Larry Moore
Grade: 3-4
Item: 35-PK00131580
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Viva La Vida - Full Score | $7.50 | |
| Viva La Vida - Violin 1 | $7.00 | |
| Viva La Vida - Violin 2 | $7.00 | |
| Viva La Vida - Violin 3 (Viola Treble Clef) | $7.00 | |
| Viva La Vida - Viola | $7.00 | |
| Viva La Vida - Cello | $7.00 | |
| Viva La Vida - Bass | $7.00 | |
| Viva La Vida - Piano | $7.00 | |
| Viva La Vida - Percussion | $7.00 |
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More about this title
About the Composer: Chris Martin
Chris Martin is the lead vocalist and primary songwriter of Coldplay, the British rock band that emerged in the early 2000s and became one of the defining acts of their generation. His compositions blend orchestral sensibilities with contemporary pop and rock, creating soundscapes that translate remarkably well to instrumental arrangements for student ensembles.
Why we love this
Larry Moore's arrangement captures what makes this song endure: the lush string writing that gives the track its emotional weight, paired with rhythmic energy that keeps young players engaged. Your students will recognize it immediately, and the Grade 3-4 scoring makes it accessible without sacrificing the sophisticated harmonic content that defines the original.
What to expect
Anthemic and soaring. The piece captures the sweeping, almost orchestral grandeur of the original while maintaining an infectious contemporary rhythm underneath. It's introspective yet propulsive, allowing moments of intricate string writing to shine before the energy builds back up.
Who it's for
String orchestras at the intermediate level who want to perform repertoire their audiences actually know and love. This works equally well for younger ensembles looking to build technical skills on music that motivates them, or established groups seeking a contemporary piece that bridges classical and popular worlds.
How to get the most out of it
- Balance the string sections so the melody stays audible above the accompanying voices. The viola and cello lines carry important harmonic movement that shouldn't disappear into the background.
- Pay attention to the groove embedded in the accompaniment parts. Even though this is notated for strings, the rhythmic precision required mirrors what you'd expect from a rhythm section in the original recording.
- Shape the phrases with natural momentum rather than making sudden dynamic shifts. The song builds gradually, and your interpretation should reflect that patient, building energy.
- Articulation choices matter significantly here. Decide early whether you want a more connected, legato approach or one with subtle separation that echoes the original's production style, then commit to it across all sections.
How to use it
This fits naturally into a pops concert or a program exploring how classical and contemporary genres intersect. You might pair it with other modern arrangements or use it as a closer that sends the audience out on a high note. It's also an excellent choice for spring concerts where you want to showcase your ensemble's musicality on repertoire that resonates with family members in the audience.
Skills your students will build
- Balancing multiple independent melodic and harmonic lines within a single string section
- Maintaining rhythmic precision in syncopated accompaniment figures
- Shaping long phrases with dynamic control and natural phrasing
- Executing clear articulation choices that support the overall musical intent
- Reading at an intermediate difficulty level while managing contemporary musical styles