Viva La Vida: Marching Band Conductor Score & Parts
By Guy Berryman / By Jon Buckland / By Will Champion / As performed by Coldplay / Arranged by Michael Brown
Grade: 2-3
Item: 35-PK00117993
$60.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Viva La Vida - Full Score | $8.00 | |
| Viva La Vida - Flute/Piccolo | $6.00 | |
| Viva La Vida - Bb Clarinet | $6.00 | |
| Viva La Vida - Eb Alto Sax | $6.00 | |
| Viva La Vida - Bb Tenor Sax | $6.00 | |
| Viva La Vida - Eb Baritone Sax | $6.00 | |
| Viva La Vida - 1st Bb Trumpet | $6.00 | |
| Viva La Vida - 2nd Bb Trumpet | $6.00 | |
| Viva La Vida - 3rd Bb Trumpet | $6.00 | |
| Viva La Vida - F Horn | $6.00 | |
| Viva La Vida - Bb Horn/Flugelhorn | $6.00 | |
| Viva La Vida - Trombone | $6.00 | |
| Viva La Vida - Baritone B.C. (Opt. Tbn. 2) | $6.00 | |
| Viva La Vida - Baritone T.C. | $6.00 | |
| Viva La Vida - Tuba | $6.00 | |
| Viva La Vida - Electric Bass | $6.00 | |
| Viva La Vida - Mallet Percussion | $6.00 | |
| Viva La Vida - Snare Drum | $6.00 | |
| Viva La Vida - Cymbals | $6.00 | |
| Viva La Vida - Quad Toms | $6.00 | |
| Viva La Vida - Multiple Bass Drums | $6.00 | |
| Viva La Vida - Aux Percussion | $6.00 |
Parts Added to Cart!
Description
Coldplay is currently one of the hottest rock bands on the charts, and here's a great arrangement of their familiar mega-hit.
Note: Each marching band part will print two copies of music per sheet, which means that a Full Score + Standard Set of 69 Parts actually contains 138 Parts.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00117993
More about this title
About the Composer: Guy Berryman
Guy Berryman is the bassist and founding member of Coldplay, the British rock band that emerged in the early 2000s to become one of the most successful acts in contemporary music. His bass lines form the harmonic and rhythmic foundation of Coldplay's sound, grounding their soaring melodies and expansive arrangements with steady, melodic support.
Why we love this
Michael Brown's arrangement captures everything that made "Viva La Vida" a global phenomenon while making it genuinely playable for Grade 2-3 marching bands. The part writing keeps energy high without requiring virtuosic passages, so students stay engaged with the recognizable tune rather than struggling through technical demands.
What to expect
Cinematic and soaring, with that signature Coldplay blend of melancholy verses and triumphant climaxes. The arrangement channels the song's emotional sweep into a marching band sound that feels both contemporary and timeless.
Who it's for
Marching bands at the intermediate level who want a modern, crowd-pleasing selection that doesn't compromise musical integrity. This works equally well for fall field shows and spring concerts, giving you repertoire that students recognize and teachers respect.
How to get the most out of it
- Lock the harmonic progression into your middle voices first; once the clarinets and horns feel the chord movement, the soloists will sit naturally on top.
- Manage the dynamic arc carefully across the full arrangement. This song builds momentum, so resist the urge to play loudly throughout. Save your volume for the final push.
- Let the bass line breathe with slight articulation changes to show the melodic quality of the bass part. It's not just timekeeping; it's a supporting voice worth shaping.
- Drill the rhythmic unison passages in the second half. When the entire band locks the same rhythm, the effect is powerful and energizing.
How to use it
Program this as a centerpiece for a contemporary music set, or use it as a bridge piece between classical and pop selections in a concert. It's also ideal for spring marching events where audiences appreciate recognizable material performed with genuine musicality.
Skills your students will build
- Balancing melody with harmonic accompaniment across multiple sections
- Sustaining energy through moderate tempo and extended phrases
- Executing dynamic contrast and shaping longer musical lines
- Coordinating rhythmic precision in full-band unison passages
- Interpreting contemporary harmonic language in a traditional ensemble setting