Viva Italia (Tarentella) Cover Image

Viva Italia (Tarentella): String Orchestra Conductor Score

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Viva Italia (Tarentella) Cover Image

Viva Italia (Tarentella): String Orchestra Conductor Score

Arr. Loreta Fin

Grade: 2

Item: 76-30148S

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Description
"Vivo" - Hooked bows, piano needed. Most of the festivity is in the first violin part, but the other parts get a bit of the action too. Perfect for young players.

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Additional Details
Series: Wilfin String Orchestra: Young String Ensemble Series
Publisher: Wilfin Music
Page Count: 12
UPC: 038081326740
SKU: 76-30148S

More about this title

About the Arranger: Loreta Fin

Loreta Fin

Loreta Fin AM is an Australian string educator, conductor, and composer with deep roots in orchestral music. A graduate of the Sydney Conservatorium of Music and former first violinist with the Sydney Youth Orchestra, she spent over 25 years as Principal Viola player with the Queensland Pops Orchestra while maintaining an active chamber music career. Since 1993, she has directed strings at Somerville House School in Brisbane, building a reputation as both an accomplished performer and a mentor to emerging musicians.

Fin's contributions to music education extend far beyond the classroom. She has served as State and National President of the Australian Strings Association, adjudicated major competitions across Australia, and presented at both Australian and American National String Teachers' Conferences. Her body of work includes over 100 published string orchestra compositions distributed worldwide by Alfred Music. In recognition of her sustained impact on string teaching and advocacy, she received the National Award for Services to Music and String Teaching. Since 2015, she has regularly conducted Australia's State and National Honours Ensembles Programs, and her recent conducting work includes the Miri Music Project in Malaysia.

Why we love this

Fin understands exactly what young string players need to feel the energy of a piece without getting buried in technical complexity. The first violins carry the melody with plenty of character, but she's written enough supporting material for the inner voices and lower strings that everyone in the section feels the festivity rather than just filling harmony. This is concert and festival repertoire that rewards solid ensemble playing without requiring years of experience.

What to expect

Viva Italia captures the spirited, rhythmic energy of a tarantella with bright articulations and propulsive forward motion. The 'Vivo' tempo marking and hooked bow figures create a sense of celebration and movement that feels Italian in character, even at this introductory grade level.

Who it's for

Young string orchestras and beginning ensemble players who are ready to perform a genuinely festive, concert-worthy piece without extensive solo passage work. This arrangement works for groups with mixed experience levels because the core of the music sits in the first violin part while still giving other sections meaningful participation.

How to get the most out of it

  • Secure the hooked bow articulations cleanly in the opening; they drive the character of the piece and set the tempo's energy.
  • Keep the piano part bright and rhythmically present, particularly in the accompaniment figures that support the first violin melody.
  • Balance the inner string parts carefully so that violas and cellos add harmonic color without obscuring the primary melodic line.
  • Shape the phrasing through dynamic contour rather than tempo changes; young players often rush tarantella rhythms when they get excited.

How to use it

Use this as a spring concert opener or festival performance piece that establishes an uplifting mood and gives the ensemble confidence through a piece that sounds more advanced than Grade 2 typically delivers. Its concert and festival designation makes it suitable for both contexts, and the 12-page score length keeps rehearsal time manageable.

Skills your students will build

  • Hooked bow articulation control and precision
  • Maintaining ensemble rhythmic cohesion in fast, energetic tempos
  • Balance between melodic and accompaniment roles within a section
  • Clarity and independence in tarantella rhythmic figures
  • Responding to conductor gesture and phrasing in a piece with forward momentum

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