Virtual Insanity Sheet Music Preview

Virtual Insanity: Jazz Ensemble Conductor Score & Parts

By Toby Smith / By Jason Kay / As performed by Jamiroquai / Arranged by John Wasson

Grade: 3

Item: 35-PK00202189

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Description
English funk band Jamiroquai recorded this hit in 1997. Featuring a quirky melody and a catchy shuffle groove, this arrangement for young players will add a uniquely different sound to any contest or festival program.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00202189

More about this title

About the Composer: Toby Smith

Toby Smith served as keyboardist and primary composer for Jamiroquai, the English funk collective that emerged from London in the early 1990s. His work with the band combined sophisticated harmonic sensibilities with infectious groove elements, creating a signature sound that blended jazz, funk, and electronic music. Smith's compositional approach emphasized strong melodic hooks grounded in tight rhythmic frameworks, a balance that made Jamiroquai's material both accessible and musically substantial.

Why we love this

John Wasson's arrangement captures everything that made the original hit engaging while scaling it perfectly for developing ensemble players. The shuffle groove sits comfortably under young fingers, and the quirky melody gives students something memorable to latch onto, making rehearsals energetic without sacrificing musical substance. Audiences consistently respond to this track with genuine enthusiasm, which means your contest or festival set leaves them smiling.

What to expect

Playful and propulsive, with an off-kilter melodic sensibility that keeps listeners slightly off balance in the best way. The funk underbelly gives the piece real pocket and swagger, while the bright arrangement invites the audience to tap their feet and smile.

Who it's for

Grade 3 jazz ensembles with solid fundamentals in shuffle feels and basic funk vocabulary. Students at this level can handle the modest technical demands while still gaining valuable experience with contemporary groove sensibilities and ensemble interplay.

How to get the most out of it

  • Lock the shuffle rhythm early in rehearsals by isolating the drum section and bass together; once that pocket is solid, the whole ensemble clicks into place with minimal effort.
  • Keep the melody articulation crisp and intentional, especially in the brass section. The quirkiness of the line depends on clean attacks and confident phrasing rather than wild dynamics.
  • Balance the funk aesthetic with ensemble cohesion by emphasizing the importance of listening across sections rather than playing solely at the audience.

How to use it

Pair this with other contemporary funk or groove-based literature to program a full set that demonstrates your students' range beyond traditional jazz standards. The modern energy makes it an ideal second-half opener, especially for festival or contest programs where you want to shift the mood and re engage an audience.

Skills your students will build

  • Shuffle rhythm accuracy and swing feel consistency
  • Listening and ensemble balance in funk grooves
  • Articulation clarity in contemporary melodic writing
  • Rhythmic precision with syncopated lines

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