Violin Sonata No. 3 in C minor, Op. 45 Cover Image

Violin Sonata No. 3 in C minor, Op. 45: Violin, Keyboard Accompaniment Book

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Violin Sonata No. 3 in C minor, Op. 45 Cover Image

Violin Sonata No. 3 in C minor, Op. 45: Violin, Keyboard Accompaniment Book

By Edvard Grieg

Item: 36-M111591

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The last of three sonata for violin by Norwegian composer Edvard Grieg (1843-1907), his VIOLIN SONATA No. 3 in C minor, Op. 45 remains also his most popular, having established itself in the standard violin repertoire, and was also a personal favorite of the composer's. The three-movement work premiered in December of 1887 in Leipzig, with noted Russian violinist Adolf Brodsky and Grieg himself at the piano.

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Additional Details
Series: Master String Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876921-1
ISBN13: 978-1-62-876921-0
UPC: 735816443184
SKU: 36-M111591
Instrumentation: Violin, Keyboard Accompaniment

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) stands as Norway's most internationally celebrated composer, and his three violin sonatas showcase his gift for writing idiomatically for the instrument while maintaining the lyrical warmth that defines his style. Though trained in Leipzig and influenced by German Romantic traditions, Grieg forged a distinctive voice by integrating Norwegian folk elements and harmonic innovation into works of genuine emotional depth.

The Violin Sonata No. 3 held special significance for Grieg himself, who premiered it with the celebrated Russian violinist Adolf Brodsky in 1887. The work's enduring popularity reflects both its technical rewarding passages and its accessibility to serious student violinists, making it a cornerstone of the standard violin repertoire across teaching studios and concert halls.

Why we love this

This sonata bridges the gap between the virtuosic and the genuinely musical in a way few works at this level achieve. The three-movement structure unfolds with dramatic purpose, and the keyboard part remains substantial enough that accompanists stay fully engaged rather than simply supporting the soloist. For advanced students preparing for auditions or recitals, this piece signals serious musicianship while remaining within reach of disciplined players.

What to expect

The opening movement announces itself with introspection and Nordic character, drawing the listener into Grieg's distinctive harmonic world of unexpected key shifts and folk-inflected melody. The work builds from this contemplative foundation into moments of genuine passion and virtuosic display, culminating in a finale that balances rhythmic vitality with lyrical warmth.

Who it's for

Advanced high school violinists and pre-conservatory students preparing repertoire for competitions, auditions, and recitals will find this sonata an essential and rewarding challenge. Teachers seeking to introduce students to a cornerstone of the classical violin literature will appreciate how the work's formal clarity and emotional authenticity support musical development.

How to get the most out of it

  • Shape the opening theme in the first movement with long-line phrasing; resist the urge to separate phrases into disconnected gestures. The melody needs space to breathe and build toward the movement's emotional peaks.
  • Coordinate carefully with your accompanist on the rubato-inflected passages. Grieg's harmonic language rewards slight flexing of tempo, but this only works when violinist and pianist listen intently to each other.
  • In the finale, secure the rhythmic foundation before pushing for virtuosic speed. The energetic passages demand precision, and rushing undermines the clarity of the writing.
  • Pay attention to dynamic shaping within phrases rather than treating each dynamic marking as an abrupt arrival point. Grieg's orchestration for piano often mirrors and supports the violin's arc, so trace how the keyboard line relates to your own expressive intent.

How to use it

Program this sonata as a centerpiece for a recital devoted to Romantic string repertoire, or pair it with a partner work from the same era to create a substantial first half. Advanced students preparing for college entrance auditions benefit from the work's combination of technical facility and interpretive depth, as it demonstrates both command of the instrument and musical maturity.

Skills your students will build

  • Sustaining long melodic lines with consistent vibrato and tone quality
  • Managing double stops and chords across multiple positions
  • Navigating key areas typical of Romantic harmony (chromaticism, modulation to remote tonal centers)
  • Collaborating with a keyboard accompanist to balance independence with ensemble cohesion
  • Interpreting rubato and expressive timing within a structured harmonic framework

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