Violin Concerto No. 5 in A minor Op. 37 (Edition for Violin and Piano) Cover Image

Violin Concerto No. 5 in A minor Op. 37 (Edition for Violin and Piano): Violin & Piano

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Violin Concerto No. 5 in A minor Op. 37 (Edition for Violin and Piano) Cover Image

Violin Concerto No. 5 in A minor Op. 37 (Edition for Violin and Piano): Violin & Piano

By Henri Vieuxtemps / ed. Enrique Fernandez Arbos

Item: 98-EP3323

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-01-401557-9
ISBN13: 979-0-0140-1557-2
SKU: 98-EP3323

More about this title

About the Composer: Henri Vieuxtemps

Henri Vieuxtemps (1820, 1881) was a Belgian violinist and composer who shaped the Romantic violin concerto. His five violin concertos remain cornerstones of the repertoire, prized for their lyricism and technical brilliance. As both a performer and pedagogue, Vieuxtemps understood the instrument intimately, writing music that demands musicianship as much as virtuosity.

The Fifth Concerto, composed late in his career, represents the height of his craft. It balances the dramatic gestures of Romanticism with the lyrical sensibility that defines his best work, making it a favorite among advanced violinists seeking repertoire with both substance and heart.

Why we love this

Vieuxtemps built this concerto on genuine melodic material rather than empty display, so students engage with ideas worth inhabiting rather than just hurdles to clear. The Edition Peters score gives you a clean, readable text that lets the music speak without editorial distractions. Programming it signals serious musicianship to your audience and offers your soloist a work that sounds substantial without requiring Romantic-era dramatics they haven't earned yet.

What to expect

The Fifth Concerto inhabits a warmly Romantic world without the extravagance of later 19th-century writing. Lyrical themes emerge and develop with natural grace, punctuated by moments of brilliant figuration that feel earned rather than grafted on. There's an elegance here, a sense that craft and sincerity matter more than spectacle.

Who it's for

Advanced high school or college-level violinists ready for a standard Romantic concerto that sits at the intersection of lyricism and virtuosity. This work suits students who have the technical foundation to handle passage work and the maturity to sustain longer melodic lines with shape and intention.

How to get the most out of it

  • Shape the opening theme with a long line; resist the temptation to separate phrases too sharply. Vieuxtemps rewards a singing approach.
  • Balance the ornamental passagework against the harmonic rhythm underneath. The flourishes matter less than the structure they decorate.
  • Coordinate with your pianist on tempo flexibility in the lyrical passages. Romantic concertos need breathing room, but it must feel intentional, not uncertain.
  • Anchor the dialogue sections where violin and piano trade material. Listen actively so the exchanges feel conversational, not mechanical.

How to use it

Feature this as a centerpiece concerto on a chamber or solo recital, where it can share space with other Romantic-era works without overshadowing them. It also works well in a concert that traces the development of the violin concerto from Classical foundations toward late Romantic expansion, or as the anchor for a program exploring Belgian musical contributions to the standard repertoire.

Skills your students will build

  • Sustaining lyrical lines across longer phrases
  • Navigating ornamental figuration while maintaining harmonic clarity
  • Coordinating with piano accompaniment in both dialogue and accompanied passages
  • Building dynamic architecture within individual movements
  • Managing the technical demands of passage work in the context of musical phrasing

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