Violin Concerto No. 2 in D minor Op. 2 (Edition for Violin and Piano) Cover Image

Violin Concerto No. 2 in D minor Op. 2 (Edition for Violin and Piano): Violin & Piano

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Violin Concerto No. 2 in D minor Op. 2 (Edition for Violin and Piano) Cover Image

Violin Concerto No. 2 in D minor Op. 2 (Edition for Violin and Piano): Violin & Piano

By Louis Spohr / arr. Walther Davisson / ed. Walther Davisson

Item: 98-EP1098A

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 48
ISBN10: 0-01-400653-7
ISBN13: 979-0-0140-0653-2
SKU: 98-EP1098A

More about this title

About the Composer: Louis Spohr

Louis Spohr (1784, 1859) was a German violinist and composer whose technical innovations shaped the Romantic violin repertoire. He wrote 15 violin concertos across his career, each one pushing the boundaries of what soloists could express through the instrument. Spohr's writing balanced virtuosity with deep lyricism, establishing him as a bridge between Classical form and Romantic sentiment.

Why we love this

Spohr's Second Concerto sits in that sweet spot where technical demands never overshadow musicality. The D minor key gives it dramatic weight without feeling overwrought, and Davisson's piano reduction captures the orchestral scope efficiently. Violinists respect it because it asks for real interpretive choices, not just quick fingers.

What to expect

Nobility tinged with melancholy. The D minor tonality draws you inward, but Spohr never lets you settle into sadness; instead, he keeps you moving forward with elegant phrasing and surprising harmonic turns. It feels both introspective and engaged.

Who it's for

Advanced high school violinists and college students building a Romantic concerto foundation. This work rewards careful practice from players who understand vibrato as expression, not decoration, and who want to develop sophistication alongside technical facility.

How to get the most out of it

  • Shape the opening theme with aristocratic restraint; Spohr's melodies sing best when you resist the urge to push tempo for effect.
  • Work the shift passages (especially in the virtuosic sections) until they feel inevitable rather than showy. The passagework only lands if the intonation is rock solid.
  • Let the piano part breathe as a genuine partner. Davisson's reduction often carries harmonic color that frames your line; listen to it in rehearsal rather than over it.
  • The cadenza demands clarity above all else. Mark your fingerings early and practice it slowly enough that every note has distinct character.

How to use it

This concerto works beautifully as a student showcase on a chamber or solo concert, especially paired with something more contemporary to highlight its historical context. It's substantial enough to anchor a recital but doesn't demand the orchestra, making it practical for school settings.

Skills your students will build

  • Sustained vibrato control and its expressive application in Romantic phrasing
  • Intonation in shifting passages across multiple registers
  • Interpretation of Classical form with Romantic sensibility
  • Coordination with piano accompaniment in dialogue-based textures
  • Stamina and focus across an extended single-movement structure

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