Violin Concerto in E minor, Op. 1 Cover Image

Violin Concerto in E minor, Op. 1: Conductor Score

$40.00 USD
$40.00 USD
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Violin Concerto in E minor, Op. 1 Cover Image
Violin Concerto in E minor, Op. 1: Conductor Score

Violin Concerto in E minor, Op. 1: Conductor Score

By Julius Conus

Item: 36-A138601
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Description
Russian violinist and composer Julius Conus (1869-1942) composed his Violin Concerto in E minor, Op. 1 in the mid-1890s. It premiered in Moscow in 1898 and was subsequently performed by renowned violinists such as Fritz Kreisler and Jascha Heifetz. It is considered a staple in the conservatory violinist’s repertoire due to its technical demands and virtuosity. Instrumentation: 3.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852030-9
ISBN13: 979-8-88-852030-7
UPC: 660355054099
SKU: 36-A138601
Instrumentation: 3.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin

More about this title

About the Composer: Julius Conus

Julius Conus (1869-1942) was a Russian violinist and composer whose career spanned the late nineteenth and early twentieth centuries. Though he composed several works, his Violin Concerto in E minor remains his most enduring contribution to the repertoire, a piece that showcases both his understanding of the violin's capabilities and his command of orchestral writing in the post-Romantic idiom.

Conus's concerto earned its place in conservatory curricula through sheer musical substance. Its premiere in Moscow in 1898 attracted the attention of master violinists including Fritz Kreisler and Jascha Heifetz, whose championing of the work helped establish it as a standard for advanced students and professionals alike.

Why we love this

This concerto sits at that enviable intersection of genuine artistic merit and practical pedagogy. It demands serious technical facility from the soloist without sacrificing orchestral color or harmonic interest, making it rewarding to conduct even when paired with developing soloists who are reaching for the next level of virtuosity.

What to expect

The concerto unfolds with the harmonic richness and emotional scope of late nineteenth-century Russian music. The solo violin sings across a warmly orchestrated backdrop that balances lyrical passages with moments of virtuosic brilliance, creating a work that feels both intimate and grand.

Who it's for

Conductors leading chamber orchestras or smaller symphonic ensembles who want to program a vehicle for an advanced violinist. This work suits conservatory performance contexts, concerto competitions, and concert series seeking repertoire with historical legitimacy and enduring appeal.

How to get the most out of it

  • Balance the orchestra's four horns and three trombones carefully against the soloist's sustained lines; these brass voices can easily overwhelm the violin if not voiced with restraint.
  • Coordinate with your concertmaster on the exact tempo for the opening of the solo part, as the transition from orchestral introduction to the violin's entrance sets the character for the entire movement.
  • Give the timpani player clear cues during the tuttis; the percussion writing contributes essential rhythmic articulation to the post-Romantic orchestration.
  • Work the string sections (scored at 9-8-7-6-5) through their accompanying figures separately before full rehearsals to ensure they maintain textural clarity behind the soloists.

How to use it

Program this as a centerpiece of a chamber orchestra concert dedicated to Russian or post-Romantic repertoire. Its substantial technical requirements and orchestral demands make it suitable for a student soloist in an advanced recital or for a featured guest violinist in a mid-season concert.

Skills your students will build

  • Conducting dialogue between soloist and orchestra
  • Balancing multiple brass voices against strings
  • Tempo flexibility and rubato control in romantic-era concerti
  • Reading and interpreting post-Romantic harmonic language
  • Coordinating chamber orchestra textures at varying dynamic levels

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