ViolaFest, Volume 1 Cover Image

ViolaFest, Volume 1: Viola Book

$10.95 USD
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ViolaFest, Volume 1 Cover Image

ViolaFest, Volume 1: Viola Book

By Joanne Martin

Item: 00-0957

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Description
ViolaFest is an eclectic collection of original viola duets, trios, and quartets. They cover a range from the easiest pieces in Volume 1, which can be played by violists with very little experience, through to the most complicated pieces in Volume 2, which could challenge advanced players. Volume 2 is available as item 00-0958.

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Additional Details
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-87487-957-4
ISBN13: 978-0-87487-957-5
UPC: 654979186892
SKU: 00-0957

More about this title

About the Composer: Joanne Martin

Joanne Martin

Joanne Martin built her career across performing, teaching, and composing, working in orchestras and chamber ensembles throughout North America and Europe. A violist by training, she also commands violin, cello, bass, piano, and button accordion, bringing that multi-instrumental perspective into everything she writes. Her deep roots in the Suzuki movement, including recognition as a Teacher Trainer by both the Suzuki Association of the Americas and the European Suzuki Association, shaped her approach to accessible, engaging ensemble writing.

Martin's pedagogical output has become standard repertoire in many studios. Her I Can Read Music series set the benchmark for beginning note-reading in Suzuki programs worldwide. Beyond that foundational work, she has written extensively for young and developing ensembles: Festive Strings, the Folk String series, Trio Tapestry, Playing with Style, and Magic Carpet all reflect her gift for creating flexible, musically satisfying pieces that accommodate mixed levels without sacrificing integrity. She remains an active guest clinician, sharing her approach to ensemble building at festivals and workshops across three continents.

Why we love this

Martin knows exactly what violists need at every stage of development, and she refuses to bore them while they're building skill. The collection balances genuine musical interest with technical accessibility, so beginners don't feel like they're playing exercises, and the repertoire grows with your students as they advance through Volume 2. This is the kind of book that earns its shelf space because teachers reach for it again and again.

What to expect

Warm and unpretentious. These pieces live in the real world of student ensembles: varied enough to stay interesting across repeated rehearsals, singable enough to lodge in memory, and structured so that every player has a voice in the texture.

Who it's for

Viola students in their first years of study through intermediate players building ensemble experience. Teachers looking for original, age-appropriate material that respects young musicians' growing musicality and technical capacity.

How to get the most out of it

  • Pair the easiest duets with your youngest violists in this volume; they work beautifully as performance pieces or studio recital openers, and early success builds confidence in ensemble playing.
  • Listen through the full collection before assigning parts. The variety of musical styles means you can match pieces to your students' current interests and strengths.
  • Mix instrumentation where the scoring allows. Martin's flexible writing often accommodates violin, cello, or other strings alongside viola, so you're not limited to viola-only combinations.

How to use it

Build a mini-recital from several pieces at different difficulty levels, showcasing how your studio grows. Use the duets to introduce ensemble playing in group lessons, or slot individual pieces into shared concerts where violists and other strings perform together. The collection works as both a steady diet of rehearsal material and a source of polished performance pieces.

Skills your students will build

  • Reading in alto clef with growing fluency and expression
  • Balancing tone and intonation in unison and two-part textures
  • Listening to and blending with ensemble partners
  • Following a conductor while maintaining musical independence
  • Sustaining melodic lines across phrase changes
  • Shifting and position security across multiple registers

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