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Vier Stücke für Klavier: Piano Solo

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Vier Stücke für Klavier Cover Image

Vier Stücke für Klavier: Piano Solo

By Mark Andre

Item: 98-EP14740

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Description

Vier Stücke für Klavier by Mark Andre is a six-minute work for solo piano comprising four concise and intricate movements. Informed by the philosophy of Edmund Husserl and Martin Heidegger, and referencing the Gospel of Matthew, Vier Stücke für Klavier is focused on compositional instability, on the unfolding and ‘deterritorialisation’ of perceptual phenomena, which open fissures in the musical structure.



Vier Stücke für Klavier was commissioned by the Embassy of the Federal Republic of Germany in Seoul for “140 Years of German-Korean Relations” at the Seoul Arts Centre (SAC), as well as the Performing Arts Management Association of Korea and Asiana Airlines. The world premiere took place at Seoul Art Center on 23rd August 2023 with pianist Jong Hwa Park.



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Additional Details
Publisher: Edition Peters
Page Count: 8
ISBN10: 0-577-02409-4
ISBN13: 979-0-577-02409-7
UPC: 9790577024097
SKU: 98-EP14740

More about this title

About the Composer: Mark Andre

Mark André is a German composer whose work engages deeply with contemporary philosophy and phenomenological thought. His compositions explore instability, sonic transformation, and the perceptual boundaries of musical material, drawing on thinkers like Husserl and Heidegger to inform his compositional philosophy.

André's writing demonstrates a particular interest in how musical structure can become unstable or fractured, opening new listening possibilities within carefully crafted instrumental contexts. His commissions and premieres reflect an international presence in contemporary classical music.

Why we love this

Vier Stücke für Klavier offers pianists a substantive contemporary work that rewards close attention without demanding virtuosic display. The four movements unfold as a coherent philosophical inquiry rather than a collection of separate pieces, making it compelling for programmers seeking serious, intellectually engaged concert repertoire at a manageable technical level.

What to expect

The work unfolds as a series of delicate structural fissures, where familiar piano sonorities become strange through fragmentation and repositioning. Rather than momentum or lyrical unfolding, the listening experience traces how perceptual ground shifts beneath conventional harmonic and timbral expectations.

Who it's for

Advanced pianists and those comfortable with contemporary classical language will find this six-minute work artistically rewarding. It suits recital programming where thoughtful, introspective pieces anchor a concert, or academic contexts where composers' engagement with philosophy and aesthetics enriches student understanding.

How to get the most out of it

  • Attend to the architecture of each movement as a discrete exploration of instability; the transitions between pieces should feel like shifts in perspective rather than fresh starts.
  • The compositional language values nuance in texture and voicing over dramatic gesture; allow silence and sparse moments their full weight.
  • Study the score's notational particulars closely, as contemporary notation often encodes specific timbral and temporal intentions that shape interpretation.

How to use it

Program this as a centerpiece for a contemporary classical recital or as part of a curated set exploring philosophical approaches to composition. Its modest six-minute duration makes it an ideal pairing with other mid-century or contemporary works, or as a bridge between tonal and more experimental repertoire.

Skills your students will build

  • Reading and interpreting contemporary classical notation
  • Sustaining interpretive focus across abstract, non-narrative musical structures
  • Developing sensitivity to timbre and textural distinction in sparse contexts
  • Understanding compositional philosophy as a framework for interpretation

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