Viennese Sonatina No. 1 for Trumpet Duo and Piano Cover Image

Viennese Sonatina No. 1 for Trumpet Duo and Piano: Trumpet, Duo, Soli/Pno

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Viennese Sonatina No. 1 for Trumpet Duo and Piano Cover Image

Viennese Sonatina No. 1 for Trumpet Duo and Piano: Trumpet, Duo, Soli/Pno

By Wolfgang Amadeus Mozart, ed./arr. by Floyd O. Harris

Grade: 2

Item: 36-10511336

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Description
This arrangement by Floyd O. Harris of the Allegro movement from W.A. Mozart's VIENNESE SONATINA No. 1 has versions available for solo flute, clarinet, or trumpet with piano and for duo flutes, clarinets, or trumpets and piano.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361679-7
ISBN13: 978-1-63-361679-0
UPC: 659859334226
SKU: 36-10511336
Instrumentation: Trumpet or Cornet Duet and Piano

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed across every major genre of his era with equal brilliance. His sonatinas represent a bridge between the Classical sonata form and accessible chamber music, written to be performed in intimate settings by amateur and professional musicians alike.

Why we love this

This arrangement captures the elegance of Mozart's melodic writing in a format that intermediate brass players can actually enjoy performing together. The partnership between two trumpets creates natural harmonic interest without requiring advanced technique, while the piano part provides both support and musical substance.

What to expect

The Allegro unfolds with Classical clarity and grace, its melodies straightforward yet genuinely musical. Two trumpets trading and doubling the theme create an intimate dialogue, while the piano weaves supportive harmonies that feel both refined and accessible.

Who it's for

This arrangement serves trumpet duos working toward their first experience with Classical chamber literature. Players at the Grade 2 level gain exposure to Mozart's formal structures and elegant phrasing without the technical demands of his more challenging works.

How to get the most out of it

  • Balance the trumpet lines carefully during the unison passages; the second trumpet should sit just slightly behind the first to maintain clarity rather than doubling thickly.
  • Shape the phrase endings with a gentle taper in dynamics, even where Mozart doesn't mark them explicitly. This brightens the Allegro character and prevents phrases from feeling static.
  • Coordinate articulation between the two trumpets on scale passages and repeated figures. Match your attack and release precisely to blend the two voices into one cohesive line when the melody moves between parts.
  • Work closely with the pianist to establish the tempo and maintain it steadily. The Allegro should feel brisk but not rushed; the piano's rhythmic foundation will help lock both trumpets into the right energy.

How to use it

Place this early in a chamber concert or recital when audience energy is fresh and you want to establish a polished, elegant tone. It works especially well on programs pairing early Romantic or later Classical works, or as a bridge piece between shorter solo items and larger ensemble selections.

Skills your students will build

  • Balancing two independent trumpet lines while maintaining phrase unity
  • Reading and performing Classical four-part textures on a single instrument
  • Shaping Allegro tempo without rushing while sustaining lyrical phrasing
  • Coordinating articulation and dynamics with a chamber partner
  • Responding to and blending with piano accompaniment in a trio texture

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