Viennese Lace Cover Image

Viennese Lace: String Orchestra Conductor Score

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Viennese Lace Cover Image

Viennese Lace: String Orchestra Conductor Score

By Alan Shulman

Item: 36-M802701

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Description
First performed by the NBC String Orchestra, Skitch Henderson, cond., May 19, 1954.

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Additional Details
Series: LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876517-8
ISBN13: 978-1-62-876517-5
UPC: 735816077013
SKU: 36-M802701
Instrumentation: String Orchestra, Ensemble Works

More about this title

About the Composer: Alan Shulman

Alan Shulman (1915-2002) was an American composer and violist whose catalog spans concert works, film scores, and popular arrangements. He brought a gift for elegant orchestration and accessible lyricism to everything he wrote, earning commissions from major orchestras and broadcasts throughout his career.

Why we love this

This is a showcase piece that proves string orchestras don't need a heavy hand to sound sophisticated. The writing sits comfortably in the middle registers, the phrasing is grateful for singers and players alike, and the formal structure gives students a real sense of arrival without requiring virtuosic technique.

What to expect

Refined and gently intricate, with the quality of something crafted rather than strained. The music suggests turn-of-the-century salon writing refined for concert hall performance; it flows with natural grace and invites expressive response without demanding dramatic gesturing.

Who it's for

String orchestras at the intermediate to advanced level seeking elegant, performable concert repertoire. This work suits ensembles comfortable with divided parts and sustained singing tone, and it programs beautifully in mixed-repertoire concerts.

How to get the most out of it

  • Shape the main melody with warm, connected bow strokes; the title suggests delicate interlocking patterns, so avoid heaviness in the lyrical passages.
  • Balance the section parts carefully so individual lines remain audible even when layered; this orchestration rewards clarity over blend.
  • Take time in rehearsal to agree on phrase lengths with your concertmaster; the flowing quality depends on bow coordination across the ensemble.

How to use it

Program this as a stand-alone concert work or as an elegant contrast to heavier, more contemporary string repertoire. It works particularly well in spring concerts or pops-style programs where accessible sophistication serves the overall aesthetic.

Skills your students will build

  • Shaping longer melodic lines with consistent bow tension
  • Balancing divided parts while maintaining ensemble cohesion
  • Reading and executing articulation markings across multiple staff lines
  • Sustaining lyrical playing without sacrificing musical momentum

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