Video Killed The Radio Star (arr. Gitika Partington) Sheet Music Preview

Video Killed The Radio Star (arr. Gitika Partington): SATB Choral Octavo

As performed by The Buggles / Arranged by Gitika Partington

Item: 35-DS00457637

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00457637

More about this title

About the Artist: The Buggles

The Buggles burst onto the music scene in 1979 with a synth-pop sensibility that felt entirely new. The duo of Trevor Horn and Geoff Downes crafted meticulously produced electronic pop that bridged art school experimentation with mainstream accessibility. Their work became foundational to the synthesizer-driven sound that defined early 1980s pop music.

Why we love this

Gitika Partington's arrangement captures the infectious melodic hook and propulsive energy of the original while making it work beautifully for SATB voices. This is a song your singers will actually want to perform, and audiences will recognize it immediately, making it an ideal choice for concerts aimed at bringing younger listeners into the concert hall.

What to expect

Bright, propulsive, and playful. The arrangement captures the New Wave exuberance of the original while giving each section moments to shine. Singers will feel the momentum of a genuine hit song, not an adaptation of one.

Who it's for

Choirs seeking contemporary repertoire that bridges pop accessibility with legitimate harmonic writing. This works equally well for secular community choirs, high school show choirs, and college ensembles building programming that speaks to modern audiences.

How to get the most out of it

  • Keep the rhythmic precision tight throughout, especially in sections where parts move independently. This song thrives on rhythmic clarity.
  • Balance the melody prominently in whichever section carries it, but ensure the harmonic foundation underneath stays cohesive and never muddy.
  • Lean into the pop sensibility of the original. Straight tone, minimal vibrato, and conversational phrasing will serve this arrangement better than classical restraint.

How to use it

Pair this with other synth-pop or New Wave era arrangements to build a thematic concert segment, or position it as a standalone crowd-pleaser that lifts audience energy mid-program. It works particularly well in spring concerts or shows aimed at reaching families who might not typically attend choral performances.

Skills your students will build

  • Rhythmic independence across four parts
  • Singing pop-inflected repertoire with stylistic authenticity
  • Part independence while maintaining harmonic blend
  • Confidence with contemporary arrangements

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