Variations on Paganini: Score
By Robert D. McCashin
Grade: 4
Item: 98-DST6150S
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About the Composer: Robert D. McCashin

Robert D. McCashin, DMA, spent 43 years teaching conducting and string performance at the university level, most recently as Professor Emeritus and former Director of Orchestras at James Madison University. He holds degrees in violin performance from Louisiana State University and earned his doctorate in conducting from the University of Arizona. His distinguished teaching career culminated in receiving JMU's Distinguished Teacher Award for the College of Visual and Performing Arts in 2015.
As both a violinist and accomplished arranger, McCashin has published nearly 80 educational works spanning Grades 1 through 5, with many becoming bestsellers and Editors' Choice selections in music education circles. Before his tenure at James Madison, he taught at the University of Texas at Arlington and Texas Wesleyan University, where he founded the Arlington Youth Symphony and maintained an active performance schedule with regional orchestras and opera companies. He is co-author of the widely adopted string class methods New Directions for Strings and A Scale in Time.
Why we love this
McCashin constructs genuine variety within a cohesive framework here, moving your ensemble through five distinct moods without relying on the same textural or harmonic tricks each time. The balance between lyrical passages and rhythmic vitality means every section of your orchestra stays engaged, and the structural clarity makes this work equally effective as a season opener or a thrilling final statement. Programming this piece signals that you trust your musicians with something musically substantial.
What to expect
Five distinct musical worlds unfold in quick succession. You move from the quicksilver shimmer of the scherzo into contemplative lyricism, then into the swirl of a robust waltz, creating an arc that feels both playful and satisfying. The orchestration sparkles without becoming fussy, letting each variation reveal its own character through rhythmic and textural invention rather than sheer volume.
Who it's for
Intermediate to advanced string orchestras looking for a concert vehicle that combines musical substance with genuine variety. This work suits ensembles ready to handle shifting meters and styles while maintaining ensemble precision across multiple short movements. Directors seeking an impressive yet manageable opener or closer will find this collection particularly valuable.
How to get the most out of it
- Shape the contrasts between variations deliberately. Each movement has its own character, so resist playing through them as one continuous narrative. Use silence or a breath between sections to reset the listener's ear.
- Pay attention to the rhythmic precision in the scherzo and waltz movements. The playfulness in these sections depends on crisp articulation and clear ensemble attacks across all parts.
- Balance the lyrical adagio by encouraging the melody voices to sing through longer phrases while maintaining a supportive, transparent accompaniment in the lower voices.
- Experiment with slight tempo flexibility in the transitions between variations. A brief ritardando into the adagio, for instance, helps the listener register the shift in mood.
How to use it
Open a concert with this set to establish energy and showcase your orchestra's stylistic range in one efficient package. Alternatively, use it as a closer to leave the audience with memorable contrasts and confident musicianship. The variety within the work makes it an excellent teaching vehicle for a concert that emphasizes different compositional approaches or historical styles within a single program.
Skills your students will build
- Navigating meter changes and varied rhythmic patterns across five movements
- Sustaining tone quality and blend in both thick, accompanying textures and transparent, exposed passages
- Responding to structural variety and maintaining musical awareness across shifting moods and tempos
- Ensemble precision in scherzo and waltz rhythms while maintaining lyrical phrasing in the adagio