Variations on Annie Laurie for Trombone or Baritone and Piano Cover Image

Variations on Annie Laurie for Trombone or Baritone and Piano: Trombone/ Euphonium, Solo with Piano, Solo and Piano

$7.99 USD
Sale price  $7.99 USD Regular price 
Skip to product information
Variations on Annie Laurie for Trombone or Baritone and Piano Cover Image

Variations on Annie Laurie for Trombone or Baritone and Piano: Trombone/ Euphonium, Solo with Piano, Solo and Piano

By Alicia Anne Scott, arr. Arthur Pryor, ed. Glenn E. Smith

Grade: 4

Item: 36-10530185

$7.99
Shipped

One moment…

Description
A popular solo feature that is challenging yet playable. Glenn P. Smith, Instructor of Trombone and Baritone at the University of Michigan School of Music has revised and arranged this melody by Alicia Anne (Lady John) Scott, that later became a famous solo and set of variations by Arthur Pryor.

Variations on Annie Laurie for Trombone or Baritone and Piano: Trombone/ Euphonium, Solo with Piano, Solo and Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156433-9
ISBN13: 978-1-62-156433-1
UPC: 660355010583
SKU: 36-10530185
Instrumentation: Trombone or Baritone and Piano

More about this title

About the Composer: Alicia Anne Scott

Alicia Anne Scott (1810-1900), known professionally as Lady John Scott, was a Scottish songwriter and composer who created some of the most enduring melodies in British vocal music. Though she composed prolifically across art songs and piano pieces, "Annie Laurie" became her signature work, beloved for its lyrical simplicity and emotional directness. The song's widespread popularity made it a natural choice for instrumental arrangements and variations throughout the 19th and 20th centuries.

Why we love this

This revision by Glenn P. Smith preserves Arthur Pryor's virtuosic variation framework while making the solo genuinely achievable for Grade 4 players. The arrangement respects the original melody's singability while giving trombone players room to demonstrate technical control and musical maturity without requiring professional-level facility.

What to expect

Nostalgic and refined. The melody carries a lyrical Scottish character that feels both accessible and dignified, while the variation sections layer increasing rhythmic complexity and flourishes that require confident technique. The overall arc moves from straightforward statement through ornamental development, creating a satisfying performance arc.

Who it's for

Intermediate trombone and baritone players ready to tackle a substantial solo with both musical and technical demands. This works equally well for advancing high school students, college-level players preparing recital material, or private studio soloists seeking a repertoire piece with historical roots and professional stature.

How to get the most out of it

  • Shape the initial statement of the melody with a warm, singing tone; the piece's power comes from the emotional content of the tune, not from forced projection.
  • Use the piano part as a structural guide through the variations; stay connected to the harmonic movement rather than fixating on individual technical passages.
  • Balance technical passages in the variations with moments of restraint; clarity and musical intent matter more than speed.
  • Collaborate closely with your pianist on the rhythmic relationship between solo and accompaniment, particularly in the variation sections where the accompaniment may shift texturally.

How to use it

Program this as a solo feature within a brass or wind ensemble concert to showcase an advancing player's musicianship and control. Its moderate length and classical pedigree make it suitable for both formal recitals and festive community concert settings where the melody's familiarity adds audience appeal.

Skills your students will build

  • Singing, lyrical phrasing through extended melodic lines
  • Navigating rhythmic variations and syncopation within a familiar tune
  • Technical security in rapid passage work across the register
  • Collaboration and balance with piano accompaniment
  • Interpretation of ornamentation and stylistic variations

You May Also Like