Variations And Theme (for Flute Solo And Band): Concert Band Conductor Score & Parts
By Anne McGinty
Grade: 4
Item: 35-PK00146116
$80.00
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Description
First published in 1979, this masterful work for solo flute and band is available again in this newly engraved edition. The solo part displays a variety of styles from beautifully expressive lyric lines to spirited faster passages, all supported wonderfully by the full ensemble. Dur: 8:30
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00146116
More about this title
About the Composer: Anne McGinty
Anne McGinty is a prolific composer and arranger whose output spans decades of concert band and wind ensemble literature. Her works are known for their musical integrity, clear orchestration, and pedagogical soundness, making her a trusted voice in music education publishing. McGinty has consistently written repertoire that challenges students while remaining accessible, a balance that has earned her compositions a permanent place in school and university band libraries.
Why we love this
McGinty crafts a compelling vehicle for a flute soloist without relegating the ensemble to mere accompaniment. The band writing is full and engaging throughout, and the solo part genuinely spans the lyrical and technical demands that make a performer feel accomplished. This is a piece where the soloist and conductor both have real interpretive work to do.
What to expect
The piece alternates between introspective lyricism and animated energy, with the flute navigating both worlds over a supportive harmonic landscape. The variations unfold naturally, each with its own color and momentum, creating a satisfying arc that feels both fresh and inevitable.
Who it's for
Bands at the upper intermediate level seeking a feature piece that showcases a skilled flutist while maintaining ensemble engagement. Directors looking for concert repertoire that demonstrates musical maturity without excessive complexity will find this especially valuable.
How to get the most out of it
- Establish the character of each variation clearly with the ensemble before the flute enters; the band sets the harmonic and rhythmic foundation that the soloist builds upon.
- Balance the solo flute so it projects without the band shadowing every phrase; use dynamics in the accompaniment to frame the soloist's line.
- Work the tempo transitions between variations as ensemble moments first; rhythmic precision in the band prevents the soloist from feeling rushed or unsupported during tempo changes.
- Record a rough run-through early in rehearsal to let the flutist hear how the solo voice sits within the full texture.
How to use it
Position this as a featured solo on a concert program where you want to highlight your flute section's principal player without disrupting the flow of the rest of the set. It works equally well as a standalone feature or paired with other McGinty works that share her accessible lyricism.
Skills your students will build
- Solo projection and phrasing over a full ensemble
- Stylistic variety within a single work (lyrical and spirited passages)
- Rhythmic precision and tempo consistency across thematic variations
- Listening and ensemble balance in a feature context
- Interpretation of contrasting musical characters