Vahid Matejkos Klezmer Play-Alongs für Querflöte Cover Image

Vahid Matejkos Klezmer Play-Alongs für Querflöte: Flute Book & CD

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Vahid Matejkos Klezmer Play-Alongs für Querflöte Cover Image

Vahid Matejkos Klezmer Play-Alongs für Querflöte: Flute Book & CD

By Vahid Matejko

Item: 00-20214G

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Absolut moderne und traditionelle Arrangements! 15 abgefahrene Klezmer-Play-Alongs im modernen Gewand! «Vahid Mateiko versteht es als einer der wenigen Komponisten, die Klezmermusik neu, auf seine eigene sehr moderne und außergewöhnliche Art zu komponieren und arrangieren, um diese einem breiteren Publikum zugänglich zu machen. Seine Musik lacht und weint, klagt und tanzt. Und mal hat man öfter das Gefühl erst an einem Ort auf der Welt zu sein, dann wieder an einem anderen und manchmal da glaubt man alle Orte der Welt in einer seiner Melodien vereint zu haben.» Prof. Igor Epstein, Leiter der Weltmusik- und Klezmer- Akademie in Köln.
Titel: Nights in Telaviv * Trauriger Teddy * The Orange Juice Seller * The Desert and the Dead Sea * Days in Naharia * Bazar in the Old City * Lonely Gipsy Woman * Die Grine Kuzine * Haklezmer * Lama Sukkah Zu * Rabi Haschem * V‘tahér Libénu * Freylekh * Achtsik Er Zibetzik Zi * Naw Ruz.

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Additional Details
Series: Klezmer Play-Alongs
Publisher: Alfred Music
Page Count: 44
ISBN10: 3-94-363846-4
ISBN13: 978-3-943638-46-2
SKU: 00-20214G
Instrumentation: C Flute

More about this title

About the Composer: Vahid Matejko

Vahid Matejko is a composer and arranger working at the intersection of klezmer tradition and contemporary composition. His approach to klezmer music is distinctive for its willingness to reimagine the idiom through modern harmonic and structural language while preserving the emotional intensity that defines the genre.

Matejko's work has earned recognition from leading figures in klezmer education and performance. His arrangements demonstrate deep knowledge of both the historical repertoire and the evolving possibilities of the music, making klezmer accessible to new generations of performers and audiences without diluting its character.

Why we love this

Matejko's 15 play-alongs resist the sanitized approach many educational klezmer collections take. Each arrangement balances contemporary sonority with authentic emotional content, so students encounter real klezmer character rather than a toned-down approximation. The included CD provides genuinely musical accompaniments that make solo practice feel like ensemble playing.

What to expect

These melodies carry both joy and sorrow, often within the same phrase. You'll find yourself in Middle Eastern streets, at Eastern European celebrations, and in intimate moments of reflection. Matejko's arrangements create a sense of travel through different emotional and geographical landscapes while maintaining the unmistakable voice of klezmer music.

Who it's for

This collection serves flutists at intermediate to advanced levels who want to move beyond standard classical repertoire into a living, expressive tradition. It works equally well for ensemble players expanding their musical vocabulary and soloists preparing for recitals that celebrate cultural diversity.

How to get the most out of it

  • Pay attention to the ornamentation and microtonal inflections indicated in the notation. These aren't decorative; they're essential to klezmer phrasing and authenticity.
  • Use the recorded accompaniments to establish groove and harmonic context. Let the rhythm section anchor your intonation and pacing, especially in the more rhythmically complex pieces.
  • Shape phrases with the melodic intention of traditional klezmer singers. Think about where the melody "breathes" and how each line connects emotionally to the next rather than treating passages as pure technical display.
  • Experiment with slight variations in articulation and rubato across multiple hearings of the same piece. Klezmer music rewards expressive flexibility within the framework of the accompaniment.

How to use it

Feature these pieces in concerts celebrating world music or cultural heritage. They work as standalone klezmer recital blocks or scattered throughout a program to highlight stylistic range. The accessible but substantive arrangements make them excellent choices for audiences unfamiliar with the tradition who will connect immediately to the emotional directness of the music.

Skills your students will build

  • Ornamentation and microtonal inflection in klezmer style
  • Rhythmic flexibility and rubato within a fixed harmonic framework
  • Phrasing shaped by vocal rather than purely instrumental logic
  • Ensemble listening and coordination with recorded accompaniments
  • Stylistic authenticity while maintaining technical clarity

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